enough food and a mom

The dad. body has just enough gravy on his plate
to sop up one piece of bread. So, enough for one
supper, says the mom. She comes back to him, says
don’ t argue with mom, you’ re a ghost. There’ s enough
water around to drown a cob in its husk. in a dad. He puts
up weather stripping all night. to keep out the mom. He says

A Poem for S.

Because you used to leaf through the dictionary,
Casually, as someone might in a barber shop, and
Devotedly, as someone might in a sanctuary,
Each letter would still have your attention if not
For the responsibilities life has tightly fit, like
Gears around the cog of you, like so many petals
Hinged on a daisy. That’ s why I’ ll just use your
Initial. Do you know that in one treasured story, a
Jewish ancestor, horseback in the woods at Yom
Kippur, and stranded without a prayer book,

Some Feel Rain

Some feel rain. Some feel the beetle startle
in its ghost-part when the bark
slips. Some feel musk. Asleep against
each other in the whiskey dark, scarcely there.
When it falls apart, some feel the moondark air
drop its motes to the patch-thick slopes of
snow. Tiny blinkings of ice from the oak,
a boot-beat that comes and goes, the line of prayer
you can follow from the dusking wind to the snowy owl
it carries. Some feel sunlight
well up in blood-vessels below the skin
and wish there had been less to lose.

I Sing the Body Electric

1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul?
And if the body were not the soul, what is the soul?

The Love Song of J. Alfred Prufrock

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question...
Oh, do not ask, “What is it?”
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

Fever 103°

Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple

Tongues of dull, fat Cerberus
Who wheezes at the gate. Incapable
Of licking clean

The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell

Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora’ s scarves, I’ m in a fright

One scarf will catch and anchor in the wheel,
Such yellow sullen smokes
Make their own element. They will not rise,

New York American Spell, 2001

I / omen

What was going on in the New York American
Black/red/green helmeted neon night?
The elevator door was closing behind us, we were the ones

Plunging floor after floor after floor after floor
To the abyss — but it was someone else’ s face
Staring from the screen out at us, someone else’ s face

Saying something flashing from the teleprompter:
Though what the face said was meant to reassure,
Down in the abyss the footage kept playing,

Morning Sun

Raised on a cozy diet of conditional love,
I learned to emoji from teevee.
Now I’ m hounded by gripes before my time.
Twisted in my genome is this thorn,
and all I see are feuds,
even swans got boxing gloves for heads.

— Ah Ketty-San, why so mori? Maybe you need upgrade
of person?

History shat on every household.
Cop cruisers wand their infrared along bludgeoned homes,
demanding boys to spread your cheeks,
lift your sac —
Now, here’ s an alcopop to dull that throb,
hide your ugly feelings.

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