Arts & Sciences

Vincent, Homesick for the Land of Pictures

Is this what you intended, Vincent
that we take our rest at the end of the grove
nestled into our portion beneath the bird’ s migration
saying, who and how am I made better through struggle.
Or why am I I inside this empty arboretum
this inward spiral of whoop ass and vision
the leafy vine twisting and choking the tree.
O, dear heaven, if you are indeed that
or if you can indeed hear what I might say
heal me and grant me laughter’ s bounty
of eyes and smiles, of eyes and affection.

... by an Earthquake

A hears by chance a familiar name, and the name involves a riddle of the past.
B, in love with A, receives an unsigned letter in which the writer states that she is the mistress of A and begs B not to take him away from her.
B, compelled by circumstances to be a companion of A in an isolated place, alters her rosy views of love and marriage when she discovers, through A, the selfishness of men.
A, an intruder in a strange house, is discovered; he flees through the nearest door into a windowless closet and is trapped by a spring lock.

Crossroads in the Past

That night the wind stirred in the forsythia bushes,
but it was a wrong one, blowing in the wrong direction.
“That’ s silly. How can there be a wrong direction?
‘It bloweth where it listeth,’ as you know, just as we do
when we make love or do something else there are no rules for.”

I tell you, something went wrong there a while back.
Just don’ t ask me what it was. Pretend I’ ve dropped the subject.
No, now you’ ve got me interested, I want to know
exactly what seems wrong to you, how something could

Hotel Lautréamont

1.
Research has shown that ballads were produced by all of society
working as a team. They didn’ t just happen. There was no guesswork.
The people, then, knew what they wanted and how to get it.
We see the results in works as diverse as “Windsor Forest” and “The Wife of Usher’ s Well.”

How to Continue

Oh there once was a woman
and she kept a shop
selling trinkets to tourists
not far from a dock
who came to see what life could be
far back on the island.

And it was always a party there
always different but very nice
New friends to give you advice
or fall in love with you which is nice
and each grew so perfectly from the other
it was a marvel of poetry
and irony

My Erotic Double

He says he doesn’ t feel like working today.
It’ s just as well. Here in the shade
Behind the house, protected from street noises,
One can go over all kinds of old feeling,
Throw some away, keep others.
The wordplay
Between us gets very intense when there are
Fewer feelings around to confuse things.
Another go-round? No, but the last things

Sleepers Awake

Cervantes was asleep when he wrote Don Quixote.
Joyce slept during the Wandering Rocks section of Ulysses.
Homer nodded and occasionally slept during the greater part of the Iliad; he was awake however when he wrote the Odyssey.
Proust snored his way through The Captive, as have legions of his readers after him.
Melville was asleep at the wheel for much of Moby-Dick.
Fitzgerald slept through Tender Is the Night, which is perhaps not so surprising,

On the Meeting of Garcia Lorca and Hart Crane

Brooklyn, 1929. Of course Crane’ s
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment’ s relief
he goes to the window to look
down on the East River, darkening
below as the early night comes on.
Something flashes across his sight,
a double vision of such horror

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