Class

Two Aunts

When I feel the old hunger coming on,
I think of my two great-aunts,
A farmer’ s daughters,
Speaking into the dusk in North Dakota.
I imagine the dark baron
Riding out of their mouths,
Thick-skinned and girded
Against disaster, swathed
In cuirass and chainmail and a curse.
My hunger was theirs
Too long ago. It swims in my blood,
Groping for a foothold.
It is the dark I thrust my tongue against,
The wine and the delicate symphony
That makes my head tick so exquisitely
Tonight. My ladies,

Addiction

I wish we could control this revolting
want of control: these people
with their spongy eyes, their mouths
of trembling shoehorns, billhooks for penises
and bear traps for vulvas.
One taste of sunlight and at once
they can’ t do without it. Water,
the same, and food, and air,
and a dozen other squalid habits.
Some — like their copulation,
a rusting carnation in a cut-glass neck —
are not physically compulsive but
the partners can’ t stop wanting them to be:
so we desire to be raped

Opera Bouffe

The count of cappuccino,
the marquise of meringue,
all the little cantuccini...
and what was the song they sang?

Oh, the best of us is nothing
but a sweetening of the air,
a tryst between the teeth and tongue:
we meet and no one’ s there

though the café’ s always crowded
as society arrives
and light glints to and fro between
the eyes and rings and knives.

Home and the Homeless

The buildings are worn.
The trees are strong and ancient.
They bend against the grid of electric lines.
The windows are broken
by the homeless and the cold past.
I am home on the yard
that spreads mint, pales the Victorian roses,
takes into it the ravaged lilac tree.
The black bulk of plastic lies about
stopping unwanted weeds for the Landlord.
Tattered, the cedar tree is chipped to dry heaps of recklessness.
The unwanted spreads by the power of neglect.
The wear of traffic says that we are out of time,

The Man Who Drowned in the Irrigation Ditch

She always got mad at him
every time he came home in the middle of the morning
with his pant legs wet.
She knew he had fallen in the ditch again.
His legs were not strong enough to be straddling ditches.
He was too old to be walking over temporary dikes.
She wished he didn’ t do that, but sometimes he had to.
She sometimes imagined him falling over backward in one of the irrigation ditches,
his head hitting hard cement,
his body slowly sinking into the water.
Water that was only three feet deep.

The dead

Our business is with fruit and leaf and bloom;
though they speak with more than just the season's tongue —
the colours that they blaze from the dark loam
all have something of the jealous tang

of the dead about them. What do we know of their part
in this, those secret brothers of the harrow,
invigorators of the soil — oiling the dirt
so liberally with their essence, their black marrow?

But here's the question. Are the flower and fruit
held out to us in love, or merely thrust
up at us, their masters, like a fist?

Oration: Half-moon in vermont

A horse is shivering flies off its ribs, grazing
Through the stench of a sodden leachfield.

On the broken stairs of a trailer
A laughing fat girl in a T-shirt is pumping
Milk from her swollen breasts, cats
Lapping at the trails. There's a sheen of rhubarb
On her dead fingernail. It's a humid morning.

Royalty

"I gave birth to a princess," her mother
once told me, and I thought of my son pouring
his Grape-Nuts in the garage so as not to wake her,

of the moment her baby, seeing her
now a separate entity, seemed not to breathe,
refused to blink her sapphire eyes.

I remembered again last night as she
and I crossed a Florida street, the caution
light running gold streamers

over the dark sweep of her hair,
when a young man coming toward us halted
midway a moment, stunned, before moving on.

The Ruined Maid

"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?" —
"O didn't you know I'd been ruined?" said she.

— "You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!" —
"Yes: that's how we dress when we're ruined," said she.

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