I.
The Santa Anas, childlike and profound,
blanket me; I see the dust stirring the valley
and clouding downtown San Bernardino;
I feel the sting of your loss.
The black oak leaves, brittle, tumbling,
crack under my feet. Is your hand
touching the dryness of my lips?
You sing: "Don't sit, mountain-still,
a coyote skull whistling."
I tug at the skin on my wrist, trying
to peel off the seam, my stubbornness.
One fisherman alongside the other
one seagull alongside the other
seagulls over the fishermen.
Mortal, if thou art beloved
Life's offences are removed;
All the fateful things that checked thee,
Hearten, hallow, and protect thee.
Grow'st thou mellow? What is age?
Tinct on life's illumined page,
Where the purple letters glow
Deeper, painted long ago.
What is sorrow? Comfort's prime,
Love's choice Indian summer clime.
Sickness! — thou wilt pray it worse
For so blessed, balmy nurse.
And for death! when thou art dying
'Twill be Love beside thee lying.
Death is lonesome? Oh, how brave
The thunderstorm came like a pot boiling over and the color
of water was made by that, all of a sudden, a pigment
more tropical than dense with the reflection of light.
Everywhere the scent of at least five different kinds of plants
lifted up. The desert can’ t talk back but I believe
it breathes instead, breathes vivid when the water
wants it the water can’ t wait and it breathes back.
I turned and went into the house.
Under the dining room table, a snake.
Green with a yellow stripe bisecting its back.
Only the wanderer
Knows England's graces,
Or can anew see clear
Familiar faces.
And who loves joy as he
That dwells in shadows?
Do not forget me quite,
O Severn meadows.
Aulder than mammoth or than mastodon
Deep i’ the herts o’ a’ men lurk scaut-heid
Skrymmorie monsters few daur look upon.
Brides sometimes catch their wild een, scansin’ reid,
Beekin’ abune the herts they thocht to lo’ e
And horror-stricken ken that i’ themselves
A like beast stan’ s, and lookin’ love thro’ and thro’
All is lithogenesis — or lochia,
Carpolite fruit of the forbidden tree,
Stones blacker than any in the Caaba,
Cream-coloured caen-stone, chatoyant pieces,
Celadon and corbeau, bistre and beige,
Glaucous, hoar, enfouldered, cyathiform,
Making mere faculae of the sun and moon,
I study you glout and gloss, but have
No cadrans to adjust you with, and turn again
There’ s teuch sauchs growin’ i’ the Reuch Heuch Hauch.
Like the sauls o’ the damned are they,
And ilk ane yoked in a whirligig
Is birlin’ the lee-lang day.
O we come doon frae oor stormiest moods,
And Licht like a bird i’ the haun’,
But the teuch sauchs there i’ the Reuch Heuch Hauch
As the deil’ s ain hert are thrawn.
Lamps have begun to light as evening,
alluvial, fills every crevice in the courtyard,
fills Devon House, alone with its marble columns,
its verandas and esplanades empty,
the plantation gone, and the fields,
the courtyard a tourist attraction now:
glass ashtrays etched with boys
too large to be clambering coconut trees,
The clockwork saguaros sprout extra faces like planaria stroked by
a razor. Chug
say the sparrows, emitting fluffs of steam. Chug chug say the piston-powered
ground squirrels.
The tumbleweeds circle on retrofitted tracks, but the blue pasteboard welkin
is much dented by little winds.
The yuccas pulse softly under the grow-light sconces.
Here is the door he will paint on the rock.
Here is the glass floor of the cliff.
