The wallful of quoted passages from his work,
with the requisite specimens pinned next
to their literary cameo appearances, was too good
a temptation to resist, and if the curator couldn’ t,
why should we? The prose dipped and shimmered
and the “flies,” as I heard a buff call them, stood
Afterward, the compromise.
Bodies resume their boundaries.
These legs, for instance, mine.
Your arms take you back in.
Spoons of our fingers, lips
admit their ownership.
The bedding yawns, a door
blows aimlessly ajar
and overhead, a plane
singsongs coming down.
Nothing is changed, except
there was a moment when
the wolf, the mongering wolf
who stands outside the self
lay lightly down, and slept.
1
She was twenty-two. He was fifty-three,
a duke, a widower with ten children.
They met in Paris, each in exile from
the English Civil War. Virginal
and terrified, still she agreed
to marry him. Though women were mere chattel
spinsterhood made you invisible
in the sixteen hundreds. Marriage was arranged
— hers a rare exception. Despite a dowry
a woman never could own property.
Your womb was just for rent. Birth control
contrivances — a paste of ants, cow dung
I’ ve been here before, dreaming myself
backwards, among grappling hooks of light.
True to the seasons, I’ ve lived every word
spoken. Did I walk into someone’ s nightmare?
Hunger quivers on a fleshly string
at the crossroad. So deep is the lore,
there’ s only tomorrow today where darkness
splinters & wounds the bird of paradise.
On paths that plunge into primordial
green, Echo’ s laughter finds us together.
In the sweatshops of desire men think
if they don’ t die the moon won’ t rise.
Drunken laughter escapes
Behind the fence woven
With honeysuckle, up to where
I stand. Daddy’ s running-buddy,
Carson, is beside him. In the time
It takes to turn & watch a woman
Tiptoe & pull a sheer blouse off
The clothesline, to see her sun-lit
Dress ride up peasant legs
Like the last image of mercy, three
After the clash of elevator gates
And the long sinking, she emerges where,
A slight thing in the morning’ s crosstown glare,
She looks up toward the window where he waits,
Then in a fleeting taxi joins the rest
Of the huge traffic bound forever west.
The eyes open to a cry of pulleys,
And spirited from sleep, the astounded soul
Hangs for a moment bodiless and simple
As false dawn.
Outside the open window
The morning air is all awash with angels.
I first saw it in the sixties,
driving a Volkswagen camper
with a fierce gay poet and a
lovely but dangerous girl with a husky voice,
we came down from Canada
on the dry east side of the ranges. Grand Coulee, Blue
Mountains, lava flow caves,
the Alvord desert — pronghorn ranges —
and the glittering obsidian-paved
dirt track toward Vya,
seldom-seen roads late September and
thick frost at dawn; then
follow a canyon and suddenly open to
silvery flats that curved over the edge
I was sitting in Old Town Square
with tourists and birds and I was reading
Foucault, how “he who is subjected
to a field of visibility... becomes
the principle of his own subjection”
and all around me the beautiful
Czechoslovakian boys moved through the first
day of spring like perennially
visible inmates in the opening credits
of a prison porno. The sun reflected off
the glass and my table was an inscrutable
tower of light from which I peered, invisibly,
at the swan-graceful boys who seemed to skirr
The Magic of Numbers — 1
How strange it was to hear the furniture being moved around in the apartment upstairs!
I was twenty-six, and you were twenty-two.
The Magic of Numbers — 2
You asked me if I wanted to run, but I said no and walked on.
I was nineteen, and you were seven.
The Magic of Numbers — 3
Yes, but does X really like us?
We were both twenty-seven.
