Reading & Books

Hustle

They lie like stones and dare not shift. Even asleep, everyone hears in prison.
Dwayne Betts deserves more than this dry ink for his teenage years in prison.

In the film we keep watching, Nina takes Darius to a steppers ball.
Lovers hustle, slide, and dip as if none of them has a brother in prison.

I eat with humans who think any book full of black characters is about race.
A book full of white characters examines insanity — but never in prison.

Each Defeat

Please! Keep
reading me
Blake
because you’ re going to make
me the greatest
poet of
all time

Keep smoothing
the stones in the
driveway
let me fry an egg
on your ass
& I’ ll pick up
the mail.

I feel your
absence in
the morning
& imagine your
instant mouth
let me move
in with you —
Travelling
wrapping your limbs
on my back
I grow man woman
Child
I see wild wild wild

Millions of Us

Purportedly a chain of civilians, soldiers, voices
lice they were called. It is sometimes sufficient to beg
Lice creeping over one, kill them with a chemical;
then there are lice-ghosts everywhere. Glints of pearly
nails. The light of my beloved will keep me from noticing.
Trailer to keep her in; he asked me if I knew her ‘auction name.’
Walked over the scorch; what are values when there’ s nothing here?
The wing of a dead soul grows into all the lace you see through,
foreigner, lice-ridden article of divestment. Splendid vices

Paradoxes and OxymoronsParadoxes and Oxymorons

This poem is concerned with language on a very plain level.
Look at it talking to you. You look out a window
Or pretend to fidget. You have it but you don’ t have it.
You miss it, it misses you. You miss each other.

The poem is sad because it wants to be yours, and cannot.
What’ s a plain level? It is that and other things,
Bringing a system of them into play. Play?
Well, actually, yes, but I consider play to be

Sonnets from the Portuguese 28: My letters! all dead paper,... mute and white!Sonnets from the Portuguese 28: My letters! all dead paper,... mute and white!

My letters! all dead paper,... mute and white! —
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,... he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand... a simple thing,
Yet I wept for it! — this,... the paper's light...
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine — and so its ink has paled

On Reading Crowds and PowerOn Reading Crowds and Power

Fame is not fastidious about the lips
which spread it. So long as there are mouths
to reiterate the one name it does not
matter whose they are.
The fact that to the seeker after fame
they are indistinguishable from each other
and are all counted as equal shows that this
passion has its origin in the experience
of crowd manipulation. Names collect
their own crowds. They are greedy, live their own
separate lives, hardly at all connected
with the real natures of the men who bear them.

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