Sonnet

Sin (I)

Lord, with what care hast thou begirt us round!
Parents first season us; then schoolmasters
Deliver us to laws; they send us bound
To rules of reason, holy messengers,
Pulpits and Sundays, sorrow-dogging sin,
Afflictions sorted, anguish of all sizes,
Fine nets and stratagems to catch us in,
Bibles laid open, millions of surprises,
Blessings beforehand, ties of gratefulness,

Prof of Profs

I was a math major — fond of all things rational.
It was the first day of my first poetry class.
The prof, with the air of a priest at Latin mass,
told us that we could “make great poetry personal,”

could own it, since poetry we memorize sings
inside us always. By way of illustration
he began reciting Shelley with real passion,
but stopped at “Ozymandias, King of Kings;

Look on my Works, ye Mighty, and despair!” —
because, with that last plosive, his top denture
popped from his mouth and bounced off an empty chair.

“Time does not bring relief; you all have lied”

Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,
And last year’ s leaves are smoke in every lane;
But last year’ s bitter loving must remain
Heaped on my heart, and my old thoughts abide.

“I think I should have loved you presently”

I think I should have loved you presently,
And given in earnest words I flung in jest;
And lifted honest eyes for you to see,
And caught your hand against my cheek and breast;
And all my pretty follies flung aside
That won you to me, and beneath your gaze,
Naked of reticence and shorn of pride,
Spread like a chart my little wicked ways.
I, that had been to you, had you remained,
But one more waking from a recurrent dream,
Cherish no less the certain stakes I gained,
And walk your memory’ s halls, austere, supreme,

I Used to Think

I used to think
The mind essential in the body, even
As stood the body essential in the mind:
Two inseparable things, by nature equal
And similar, and in creation’ s song
Halving the total scale: it is not so.
Unlike and cross like driftwood sticks they come
Churned in the giddy trough: a chunk of pine,
A slab of rosewood: mangled each on each
With knocks and friction, or in deadly pain
Sheathing each other’ s splinters: till at last
Without all stuff or shape they ’ re jetted up

Near Helikon

By such an all-embalming summer day
As sweetens now among the mountain pines
Down to the cornland yonder and the vines,
To where the sky and sea are mixed in gray,
How do all things together take their way
Harmonious to the harvest, bringing wines
And bread and light and whatsoe’ er combines
In the large wreath to make it round and gay.
To me my troubled life doth now appear
Like scarce distinguishable summits hung
Around the blue horizon: places where
Not even a traveller purposeth to steer, —

Tho’ Lack of Laurels and of Wreaths Not One

Tho’ lack of laurels and of wreaths not one
Prove you our lives abortive, shall we yet
Vaunt us our single aim, our hearts full set
To win the guerdon which is never won.
Witness, a purpose never is undone.
And tho’ fate drain our seas of violet
To gather round our lives her wide-hung net,
Memories of hopes that are not shall atone.
Not wholly starless is the ill-starred life,
Not all is night in failure, and the shield
Sometimes well grasped, tho’ shattered in the strife.

From “Romanticisms”

Mortal oddment, there’ s no wish in the blood
But beat, but stay gift-strong, but make demands
To keep within veins this ore’ s diffuse gold,
These voices that know without being known —
These voices that riddle thought with herself,
Ridicule thought in her flimsy eternal
Gowns a child can tear in half   with a breath —
That chorus arterial, unbribable,
Blowing song through self as a child blows
A dandelion apart —
All those weeds? —

"Love of My Flesh, Living Death"

Once I wasn’ t always so plain.
I was strewn feathers on a cross
of dune, an expanse of ocean
at my feet, garlands of gulls.

Sirens and gulls. They couldn’ t tame you.
You know as well as they: to be
a dove is to bear the falcon
at your breast, your nights, your seas.

My fear is simple, heart-faced
above a flare of etchings, a lineage
in letters, my sudden stare. It’ s you.

The Illiterate

Touching your goodness, I am like a man
Who turns a letter over in his hand
And you might think this was because the hand
Was unfamiliar but, truth is, the man
Has never had a letter from anyone;
And now he is both afraid of what it means
And ashamed because he has no other means
To find out what it says than to ask someone.

Pages