stripped batting of cloud
glimpsed ligaments
dusk coming up under
lithographic, nib-hatchings
instruments click
the fine-sprung locust
replicate dinge along hill-lines
tailings of umber, the rust smudge
There is still that hemmed ocean of oaks
the various reds, the somehow
silver cast over the brown-gold
Perhaps the universe is an extinguished building
with blue banners strung along
and the forest, more like a commodity
bordering bushes and asphalt,
something else to string our blue banners on.
Never was restoration swifter:
the leafless trees, the asphalt
less splintered and more splendid.
Never was restoration swifter
with its mightier solutions,
less splintered and more splendid
snipers, dynamiters, colorful bombs.
I was so worried the hickory I recognized
had died from salt burn in the last hurricane
I may have passed by vervain and apple haw
like they didn’ t matter, but this spring
it put out seven shoots from its base.
Still, the oldest trick is the moon missing,
then the “new” moon appears,
though we know it’ s the old one, and we pretend
to be taken in like the mother or baby
behind the bath towel.
Really it’ s the moon winking,
being the stone that holds stones and now footprints.
The night is darkening round me,
The wild winds coldly blow;
But a tyrant spell has bound me,
And I cannot, cannot go.
The giant trees are bending
Their bare boughs weighed with snow;
The storm is fast descending,
And yet I cannot go.
Clouds beyond clouds above me,
Wastes beyond wastes below;
But nothing drear can move me;
I will not, cannot go.
I. “If the Night Could Get Up & Walk”
I cannot put my hand into
a cabbage to turn
on the light, but
the moon moves over
the field of dark cabbage and an
exchange fills
all veins.
The cabbage is also a globe
of light, the two globes
There is no escaping the storm of roses
crisscrossed on the split-cracked wall
of a dead fountain arch.
There is no escaping their uterine balls,
expanding as a reminder of the children I never had.
If you listen carefully you can hear the vibrations,
the heart drone of their petal jaw-harps.
And there’ s no going back,
no indiscovery of Mars
or these red planets brooding before me,
light predators, sun-hatched
and bloodening like the fists of women
who have gone to war.
The sun that puts its spokes in every
Wheel of manhandle and tree
Derives its path of seashines
(Sheer centrifugality) from my
Regards. I send it
My regards. Some yards
Of lumen from the fabrika
Have come unbolted from the look
Of it (or likes of me), a long
Unweaving or recarding I
Cannot recall begun, and there
Before my eyes a palm
Puts lashes round the sun.
Fish of the flood, on the bankèd billow
Thou layest thy head in dreams;
Sliding as slides thy shifting pillow,
One with the streams
Of the sea is thy spirit.
Gean-tree, thou spreadest thy foaming flourish
Abroad in the sky so grey;
It not heeding if it thee nourish,
Thou dost obey,
Happy, its moving.
Things are not
unmoving (or else what
is ing there for?)
The things once-living
fall on the never-living
all the more movingly for the eye
that passes over them.
The wind wells up
to spill a trail
of onces off the nevers,
take opaque from eye
to mind, or near it —
every rocking takes some leaving
to a stonish spirit.
After the cling of roots and then the “pock”
when they gave way
the recoil up the hand
was a small shock
of emptiness beginning to expand.
Milk frothing from the stems. Leaves inky green
and spiked.
Like blissed-out childhood play
turned mean
they snarled in tangled curls on our driveway.
