I.
By the road she hovers in heat waves,
propped up on a cinderblock wall,
revived by mixed house paints,
fending for herself like wild mint.
She is behind your shoulder,
a blind spot, your city's poverty.
A figure waits under a freeway ramp,
gesturing as if she knows you.
I.
The Santa Anas, childlike and profound,
blanket me; I see the dust stirring the valley
and clouding downtown San Bernardino;
I feel the sting of your loss.
The black oak leaves, brittle, tumbling,
crack under my feet. Is your hand
touching the dryness of my lips?
You sing: "Don't sit, mountain-still,
a coyote skull whistling."
I tug at the skin on my wrist, trying
to peel off the seam, my stubbornness.
I can’ t go to the east village anymore
because it is like going on a tour
of my worst dates. I get older, my heart
leaps at the sight of children
who don’ t belong to me, I pronounce
everything like an Italian opera title.
I used to listen to songs and have someone
in mind for the you parts, now I just want
to be where the light is intense, I want
the kind of heat that kills you
if you drive into it unprepared. This
isn’ t a metaphor for anything else.
Four-fifty. The palings of Trinity Church
Burying Ground, a few inches above the earth,
are sunk in green light. The low stones
like pale books knocked sideways. The bus so close to the curb
that brush-drops of ebony paint stand out wetly, the sunlight
seethes with vibrations, the sidewalks
on Whitehall shudder with subterranean tremors. Overhead, faint flickers
We are walking our very public attraction
through eighteenth-century Philadelphia.
I am simultaneously butch girlfriend
and suburban child on a school trip,
Independence Hall, 1775, home
to the Second Continental Congress.
Although she is wearing her leather jacket,
although we have made love for the first time
in a hotel room on Rittenhouse Square,
I am preparing my teenage escape from Philadelphia,
from Elfreth’ s Alley, the oldest continuously occupied
residential street in the nation,
1642 Argonne Place, NW
Alley of giant air conditioners, you roared
your ill wind our way day and night. We burned
you down, little house, but you rose right up again.
We played guitars by candlelight and sang songs to the cat.
We stole each other’ s cake and dope, dancing
all night, sleeping late, driving down Columbia
Road to the Omega for Mexican-style chicken,
which two lovers could live on for an entire day.
We threatened you
with a sledgehammer
if you wouldn’ t let us go.
Enough, you finally stammered,
I stopped at a red light on Mass. Ave.
in Boston, a couple blocks away
from the bridge, and a woman in a beat-up
old Buick backed into me. Like, cranked her wheel,
rammed right into my side. I drove a Chevy
pickup truck. It being Boston, I got out
of the car yelling, swearing at this woman,
a little woman, whose first language was not English.
But she lived and drove in Boston, too, so she knew,
we both knew, that the thing to do
is get out of the car, slam the door
In Chicago, it is snowing softly
and a man has just done his wash for the week.
He steps into the twilight of early evening,
carrying a wrinkled shopping bag
full of neatly folded clothes,
and, for a moment, enjoys
the feel of warm laundry and crinkled paper,
flannellike against his gloveless hands.
There’ s a Rembrandt glow on his face,
a triangle of orange in the hollow of his cheek
(she opens the door)
(he is twelve inches
away) her fingers
still splayed across the
battened-down brass latch
of his sternum (she
closes the door) (he
is eight feet away)
her palm skids down the
banister clings to
the fluted globe of
the finial (he
is twenty-eight feet
away) (she opens
the door) the black air
is fast flowing and
cold (she closes the
door) she clutches her
thin intimacy
tight under her chin
and trips down the steps
Bangkok
Caught in a slip of particulars,
say, between the dirt road
and the brand-new
Seven-Eleven, a bucket
of lotus, three shades of red
in the mudbank giving way to
