While it is true
(though only in a factual sense)
That in the wake of a
Her-I-can comes a
Shower
Surely I am not
The gravitating force
that keeps this house
full of panthers
Why, LBJ has made it
quite clear to me
He doesn’ t give a
Good goddamn what I think
(else why would he continue to masterbate in public?)
In the beginning was the word
And the word was
Death
And the word was nigger
And the word was death to all niggers
And the word was death to all life
And the word was death to all
peace be still
The genesis was life
The genesis was death
In the genesis of death
Was the genesis of war
be still peace be still
New York! At first I was bewildered by your beauty,
Those huge, long-legged, golden girls.
So shy, at first, before your blue metallic eyes and icy smile,
So shy. And full of despair at the end of skyscraper streets
Raising my owl eyes at the eclipse of the sun.
Your light is sulphurous against the pale towers
Whose heads strike lightning into the sky,
Skyscrapers defying storms with their steel shoulders
And weathered skin of stone.
But two weeks on the naked sidewalks of Manhattan —
At the end of the third week the fever
He was touched or he touched or
she did and was, or they were
and would. Or the room could, its
three doors, two windows or
the house on a slant touching,
touched by the drift down street, cars
pressing quick or slowing. All along
the town touched a river, the river
I scarcely grieve, O Nature! at the lot
That pent my life within a city’ s bounds,
And shut me from thy sweetest sights and sounds.
Perhaps I had not learned, if some lone cot
Had nursed a dreamy childhood, what the mart
Taught me amid its turmoil; so my youth
Had missed full many a stern but wholesome truth.
Here, too, O Nature! in this haunt of Art,
Thy power is on me, and I own thy thrall.
There is no unimpressive spot on earth!
The beauty of the stars is over all,
And Day and Darkness visit every hearth.
We wonder at our shifting capacities, keep
adding and striking skills
from the bottoms of our résumés
under constant revision
like the inscriptions on tombs
shared for generations
unnervingly up
to date
Made nervous by our shift in capabilities, we write:
They gave the city a stroke. Its memories
are cordoned off. They could collapse on you.
Water leaks into bricks of the Workers’ century
and every meaning is blurred. No word in Roget
now squares with another. If the word is Manchester
it may be Australia, where that means sheets and towels.
To give the city a stroke, they mixed a lorryload
of henbane and meadowsweet oil and countrified her.
City of Grace, you open,
you part your curtains
and smile like a hostess
when we call your name,
you tender what any traveler needs,
a call to ease, a balm,
a kindness, whatever storm.
You take us in. City of Grace
and Benevolence, you say
you know what solace means,
burned so often they called you
Chimneyville, and now
you can't forget,
you've written it in bronze
outside the City Hall
the War made a hospital
for the Yankee
and for your Rebel sons,
Having returned at last and being carefully seated
On the floor — somebody else's floor, as usual —
Far away across that ocean which looked
Through Newport windows years ago — somebody else's livingroom —
Another messed-up weedy garden
Tall floppy improbably red flowers
All the leaves turned over in the rain
Ridged furry scrotum veins
You bring a stalk of bamboo
to the flu room.
Hot pink Buddha offers
some bullet-like pills from his plastic
fingers. Oh high above the pecan
tree, my dead grandfather
walks Basil and Maestro, our two
standard poodles. One’ s beard is oily
from the wheel
of brie he’ s stolen from
the kitchen counter.
