Ignoring the local reliquiae —
neoclassical arches in ruin,
courtyards, their fountains toppled,
prados flourishing in prickle-weed, esplanades
no longer level enough to collect rainwater,
much less respect for the Imperio de España
tarnished by an islander’ s mock-British accent —
two fisherman returned at sundown.
Antiquaries themselves, these fishermen
schooled in the currents, the tide,
the tunneled limestone of the coral reefs,
preferred the graceful curves of the £.
Beyond the strings of water
clinging to the windowpane,
there were no cranes, just rain,
a sky blurred by wet glass,
a pond corrugated by raindrops,
and, inside, the smell of naphthalene bars,
a Victrola with a broken arm,
a spotty daguerreotype, a dusty crinoline —
O mildewed, seersucker suits
draped over vacant chairs.
~
[our] nightmare : no
birdsong —
the jungle was riven emptied
of [i sihek] bright blue green turquoise red gold
feathers — everywhere : brown
tree snakes avian
silence —
the snakes entered
without words when [we] saw them it was too late —
they were at [our] doors sliding along
the passages of [i sihek]
empire — then
The fallen Latte is the sign. It is from within the row of Latte that
we feel our strength. It is the severed capstone that gives us Their
message, "Ti monhayon I che'cho." We will not rest until the
Latte is whole.
— Cecilia C. T. Perez from "Signs of Being: A Chamoru
Spiritual Journey" (1997)
~
i haligi
a pillar
i tasa
a capstone
i tataotao
a body
~
his hands —
husk coconut —
cooks and
feeds [us] —
stories — this
raised house —
at quarry
outline forms
He is for a long time bleating the embassy collection:
(water-resistant cot,
a resurgent stretch of storefronts to dive into,
compadre, col legno, funding the new permits, pleasing
room, murderous rain.
Near-spring night, stars on flat blackboards, essay estate
questions passed person to person.
The lottery window
I turn red past,
hyacinth-lanced dawn.
In green tree talk
the transcriber dons a dark robe, a mirror.
Hope
The political contributions of whatever he creates are coincidental
and, in any event, irrelevant. The musician may not be relying on
mathematical acoustics in his calculations. He may be performing
for auditoriums; thus, his physical realities change as he travels. Music
seems inevitable. Every question entails some notion of what is being asked.
The motley nature is not alien. Certain sounds guide the vulgar mind
to notions not anticipated by those creating the sounds. A bartender
In the harsh glare of an easily
reprehensible life. The channel changer is lost
in the crack of an infinite sofa.
Everything falls apart, everything breaks
down, torn into a million
fragments, Jericho everyday.
I want to be the blameless
victim in this canceled puppet show,
the marionette every mother loves, the one
souvenirs are modeled from.
Light a match. Watch the blue part
flare like a shocked piñata
from the beating
into the sky,
watch how fast thin
wood burns & turns toward the skin,
the olive-orange skin of your thumb
1.
