Immersed
we don’ t
ask
who entered
whose stream.
Take
my hand there
is no
line no
bridge only
fond
foolishness —
the bread
crumbs I
bring you
in
morning —
they float
on the
surface
water with
two
violins
un-
strung like
the silent
song
on your
lips soft
as the
same
hands I
crushed to
keep
you from
death.
Valentine, valentine you arrive
in a town car with a chauffered envelope,
scattered pieces of you enrolled in schoolyards
like a recess of paper vanity, litter, old
with red-rimmed "loves," red-rhymed lies in lace.
The verses come, rising as easily as long-stemmed snakes in
bloom where swamps settle down and drowse
by dawn, a night of secrets slid out of drawers like knives nesting, a choice of chimes and slums overrun
by bejeweled heartbreakers. What a lovely
winter, almost skipping February.
Don't be misled:
that sea-song you hear
when the shell's at your ear?
It's all in your head.
That primordial tide —
the slurp and salt-slosh
of the brain's briny wash —
is on the inside.
Truth be told, the whole place,
everything that the eye
can take in, to the sky
and beyond into space,
lives inside of your skull.
When you set your sad head
down on Procrustes' bed,
you lay down the whole
The kiss is, strictly speaking, a passing
of of twice: a bead from her mouth to his,
then back, ad nauseam, and the boys who lived
and died for it. The lovely girl amassing
ninety-nine spirits, and in high spirits
for consuming her highest amount. Once
the hundredth boy arrived she starts her hunt
in her haunt, a hill’ s field filled with fitting
Artemisia absinthium.
And every day they kissed to swap the bead
and for a month he waned and wans
Bubblegum lip gloss kissed, Our lifelines, our mirrors,
I was never a singkil princess These are Luminous Mysteries —
Knuckle cracking, polished toes, Our notebooks, our language,
I was never a Santacruzan queen To witness, to make way,
Black eyeliner, push up bra Our thirst and our wedding bands —
I was never a curtsying debutante To fill stone jars with water, to wed,
you dream in the language of dodging bullets and artillery fire.
new, sexy diagnoses have been added to the lexicon on your behalf
(“charlie don’ t surf,” has also been added to the lexicon on your behalf).
in this home that is not our home, we have mutually exiled each
other. i walk down your street in the rain, and i do not call you. i
walk in the opposite direction of where i know to find you. that we
do not speak is louder than bombs.
with Dana Ward
Someone said you were dead
it’ s not that I didn’ t care
You were not bacterial
You were not frozen water in winter
You were not a hairbrush broken by hair
You were a treasure of gold in the world-toilet
For you appraised the world of grains
And flung the earth to the earth
The good wine is mixed with the bad wine,
come to the wine jar’ s lips and let’ s unmix it
Poor people only have one soul
but you and I have two
let’ s go on vacation to Mexico or Rome
Everybody returns home
Just one more vintage movie,
Batwings tonight at the Bal Masqué —
Another creature stuffed
By distinguished pedigree.
I get a lot of madcap ideas about sentience,
How knowing has you put down in the book
Forbidden speech recognition —
Else why make such a face?
And now it’ s luck no longer mouth that moves
When fastidious rummage whispers
To divulge a surplus
A clue if not the key.
Prospect my question laps up for good —
I lean to it. Knowing you,
First-person dwindle.
Tweet-tweet. Prick.
