“Make flour into dough,” she answers,
“and fire will turn it into food.
Ash is the final abstraction of matter.
You can just brush it away.”
She tacks a sheet of paper to the wall,
dips her hand in a palette of flour and ash,
applies the fine soft powders with a fingertip,
highlighting in chalk and graphite,
blending, blurring with her thumb.
Today she is working in seven shades of gray.
Outside the door, day lilies
in the high flush of summer-
about-to-be-fall. Her garden burns
red and yellow in the dry August air
and is not consumed.
Inside, on the studio wall, a heavy
particulate smoke
thickens and rises. Footsteps grime the snow.
The about-to-be-dead line up on the ramp
with their boxy suitcases,
ashen shoes.
When I get too close she yanks me back.
She hovers over her creation
though she too has a mind
to brush against that world
and wipe it out.