The Children
In three directions
are two storms.
I instruct the edges
of my hands to become
irises, to shatter
in that way,
in three directions.
There's nothing behind me.
Viols
claw beneath our fences
at the elevation
of sound to pure
unsanctity, the moment
of simultaneity:
airplanes seeming to collide and not colliding, the crow alighting
in the manner of a seabird, the carbomb a more than momentary poppy.