Nicholas Friedman

A

As Is

Just north of town, a quaint Sargasso Sea
for bric-a-brac: the barn, itself antique,
spills over with a grab-bag panoply
of outworn stock revalued as “unique.”
Typewriters tall as headstones fill the loft
where they’ ve been ricked away like sacks of grain;
a coffer yawns the must of oak — gone soft —
when one man, squinting, lifts the lid to feign
intrigue. Nearby, his wife surveys the smalls:
art deco bangles bright as harpsichords,
a glut of iron trivets, Christmas balls,
Depression glass and warping Ouija boards.