English Poems

A voice from the dark called out,
‘The poets must give us
imagination of peace, to oust the intense, familiar
imagination of disaster. Peace, not only
the absence of war.’
But peace, like a poem,
is not there ahead of itself,
can’ t be imagined before it is made,
can’ t be known except
in the words of its making,
grammar of justice,
syntax of mutual aid.
A feeling towards it,
dimly sensing a rhythm, is all we have
until we begin to utter its metaphors,
learning them as we speak.

Though the road turn at last
to death’ s ordinary door,
and we knock there, ready
to enter and it opens
easily for us,
yet
all the long journey
we shall have gone in chains,
fed on knowledge-apples
acrid and riddled with grubs.

I am angry with X, with Y, with Z,
for not being you.
Enthusiasms jump at me,
wagging and barking. Go away.
Go home.

I am angry with my eyes for not seeing you,
they smart and ache and see the snow,
an insistent brilliance.

The moon is a sow
and grunts in my throat
Her great shining shines through me
so the mud of my hollow gleams
and breaks in silver bubbles

She is a sow
and I a pig and a poet

When she opens her white
lips to devour me I bite back
and laughter rocks the moon

In the black of desire
we rock and grunt, grunt and
shine

The ache of marriage:

thigh and tongue, beloved,
are heavy with it,
it throbs in the teeth

We look for communion
and are turned away, beloved,
each and each

It is leviathan and we
in its belly
looking for joy, some joy
not to be known outside it

two by two in the ark of
the ache of it.

How gray and hard the brown feet of the wretched of the earth.
How confidently the crippled from birth
push themselves through the streets, deep in their lives.
How seamed with lines of fate the hands
of women who sit at streetcorners
offering seeds and flowers.
How lively their conversation together.
How much of death they know.
I am tired of ‘the fine art of unhappiness.’

To lie back under the tallest
oldest trees. How far the stems
rise, rise
before ribs of shelter
open!

To live in the mercy of God. The complete
sentence too adequate, has no give.
Awe, not comfort. Stone, elbows of
stony wood beneath lenient
moss bed.

Far away, far away, men making wars.
Other folk's blood spilt on other folk's floors.

Only this morning I wounded my finger:
a thorn on my rosebush pierced like a stinger.

Sucking that finger, I thought of the war.
Sad is the earth! And those people, so poor!

I'm of no help, being here and not there,
nor can I reach them, by sea or by air.

And what if I could — what good could I do?
My Arabic's terrible! My English is, too!

I love her fierceness when she fights me,
shouting "Not fair!" Her eyes slitting
like shutters in cities by the sea.
Her life is rife with bonfires — seen and unseen —
fires that burn through the turning years
bringing her to life again, and again, in a miracle of smoke.
This heat gives her a sense of forgiveness — or so I imagine —
she kisses my back, capriciously, when I scold her.
Maybe she recalls the scalpel by which she was born.
Easy, the mark of its slash in my skin.

Each day we go about our business,
walking past each other, catching each other’ s
eyes or not, about to speak or speaking.

All about us is noise. All about us is
noise and bramble, thorn and din, each
one of our ancestors on our tongues.

Someone is stitching up a hem, darning
a hole in a uniform, patching a tire,
repairing the things in need of repair.

Someone is trying to make music somewhere,
with a pair of wooden spoons on an oil drum,
with cello, boom box, harmonica, voice.