I struck the board, and cried, "No more;
I will abroad!
What? shall I ever sigh and pine?
My lines and life are free, free as the road,
Loose as the wind, as large as store.
Shall I be still in suit?
Have I no harvest but a thorn
To let me blood, and not restore
What I have lost with cordial fruit?
Sure there was wine
Before my sighs did dry it; there was corn
Before my tears did drown it.
Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?
Is it no verse, except enchanted groves
And sudden arbours shadow coarse-spun lines?
Must purling streams refresh a lover's loves?
Must all be veil'd, while he that reads, divines,
Catching the sense at two removes?
Lord, with what care hast thou begirt us round!
Parents first season us; then schoolmasters
Deliver us to laws; they send us bound
To rules of reason, holy messengers,
Pulpits and Sundays, sorrow-dogging sin,
Afflictions sorted, anguish of all sizes,
Fine nets and stratagems to catch us in,
Bibles laid open, millions of surprises,
Blessings beforehand, ties of gratefulness,
How fresh, oh Lord, how sweet and clean
Are thy returns! even as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasure bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.
The harbingers are come. See, see their mark:
White is their color, and behold my head.
But must they have my brain? Must they dispark
Those sparkling notions, which therein were bred?
Must dullness turn me to a clod?
Yet have they left me, Thou art still my God.
When God at first made man,
Having a glass of blessings standing by,
“Let us,” said he, “pour on him all we can.
Let the world’ s riches, which dispersèd lie,
Contract into a span.”
So strength first made a way;
Then beauty flowed, then wisdom, honour, pleasure.
When almost all was out, God made a stay,
Perceiving that, alone of all his treasure,
Rest in the bottom lay.
The merry World did on a day
With his train-bands and mates agree
To meet together where I lay,
And all in sport to jeer at me.
First Beauty crept into a rose,
Which when I pluck'd not, "Sir," said she,
"Tell me, I pray, whose hands are those?"
But Thou shalt answer, Lord, for me.
Then Money came, and chinking still,
"What tune is this, poor man?" said he;
"I heard in music you had skill:"
But Thou shalt answer, Lord, for me.
There are diagrams on stilts all wired together
Over the hill and the wind and out of sight.
There is a scar in the trees where they walk away
Beyond me. There are signs of something
Nearly God (or at least most curious)
About them. I think those diagrams are not
At rest.
I think they are a way of ciphering God:
To invent the alef-beit,
decipher the grammar of crows,
read a tangle of bare branches
with vowels of the last leaves
scrawling their jittery speech
on the sky’ s pale page.
Choose a beginning.
See what God yields and dirt cedes
when tines disturb fescue, vetch, and sage,
when your hand dips grain from a sack,
scattering it among engraved furrows.
a labyrinth,
as if at its center,
god would be there —
but at the center, only rose,
where rose came from,
where rose grows —
& us, inside of the lips & lips:
the likenesses, the eyes, & the hair,
we are born of,
fed by, & marry with,
only flesh itself, only its passage
— out of where? to where?
Then god the mother said to Jim, in a dream,
Never mind you, Jim,
come rest again on the country porch of my knees.
