Living

Mansion Beach

1

I count the rays of the jellyfish:
twelve in this one, like a clock to tell time by,
thirteen in the next, time gone awry.

A great wind brought them in, left them here
to die, indifferent time measured by whirling moon
and sun, by tides in perpetual fall and rise.

Englobed, transparent, they litter the beach,
creatureless creatures deprived of speech
who spawn more like themselves before they die.

I peer into each and see a faceless
red center, red spokes like a star.
They are, and are not, like what we are.

Encounter in the Local Pub

As he looked up from his glass, its quickly melting ice,
into the bisected glowing demonic eyes of the goat,
he sensed that something fundamental had shifted,

or was done. As if, after a life of enchantment, he
had awakened, like Bottom, wearing the ears of an ass,
and the only light was a lanthorn, an ersatz moon.

It was not that the calendar hadn’ t numbered the days
with an orbital accuracy, its calculations
exact, but like a man who wants to hang a hammock

Death Gets into the Suburbs

It sweats into the tongue and groove
of redwood decks with a Tahoe view.
It slides under the truck where some knuckles

are getting banged up on a stuck nut.
It whirls in the egg whites. Among blacks
and whites spread evenly. Inside the chicken

factory, the Falcon 7x, and under the bridge.

There’ s death by taxi, by blood clot, by slippery rug.
Death by oops and flood, by drone and gun.

Death with honor derides death without.
Realpolitik and offshore accounts
are erased like a thumb drive lost in a fire.

from Aphorisms I-XV

I

The most devout long to breathe the dirt's scent once more.

The cat runs faster at night; he sees you better.

Only the ordinary is reprehensible, but praise disgusts the just.

Wine is not drunk enough.

Be bitter but only about the Truth.

With a friend, poison is sweet; sweetness, with an enemy, poisons.

The colder things are, the slower, unless they are flowers.

You will never know the river wets your hair.

What is sweetness, that bees do not remember honey?

Work is wings.

II

The Imagined Copperhead

Without intending to hide,
the imagined copperhead
hid on the path ahead,
unseen on bronze leaves, unheard,
and a mortal likelihood
at every step. This was childhood,
mine, the wood’ s jihad
against a boy who’ d
intruded among monkshood,
wasp, tick, and nettles haired
with needles. Scrub brush abhorred
him with a horde
of  welts, bites, and stings, but he’ d
never seen a copperhead,
though he’ d looked hard

From “Critical Opalescence and the Blueness of the Sky”

Shrugging shallowly down, burrowing
in beneath the heaps of plumped cork- and sallow-
brown leaf, beneath the oak and the brittle bean-

dripping locust and the still so innocent fruit
trees — bare-boughed and newly blossoming — skinnily
shadowing the frost-seared grasses, I and my

“now” [in this pictured perfect] four-
year-old daughter, huddled, hidden, lie
low. I remember hiding in the fort

November, Late in the Day

So this is aging: the bare sun, skinned,
palely bucking the dark wind,
slides through the glass, crawls on the carpet,
climbs the footboard, lies crosswise on the blanket,
a spoiled dog waiting to be fed.

Not now, dear warmth. The kindling’ s in the shed,
too far to fetch. Those two great logs that close
together to make fire, repose
apart, an old couple reminiscing
on conflagrations they’ re now missing:
how every sunny Saturday afternoon,
Hey, diddle-diddle, the dish ran away with the spoon.

The Dream of a Lacquer Box

I wish I knew the contents and I wish the contents
Japanese —

like hairpins made of tortoiseshell or bone
though my braid was lopped off long ago,

like an overpowering pine incense
or a talisman from a Kyoto shrine,

like a Hello Kitty diary-lock-and-key,
Hello Kitty stickers or candies,

a netsuke in the shape of an octopus,
ticket stubs from the Bunraku —

or am I wishing for Mother? searching for Sister?
just hoping to give something Japanese to my daughters?

then again, people can read anything into dreams

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