Relationships

from Spring Psalter

Darling, I leave you the forever unblooming
twig half-sunk in spring mud & the Nature that allows
such delicate & lasting atrocity.

Darling, darling, darling: my voice is a branch that would reach.

I leave you the ragged sky, once full of cloud & now
not. I leave you these things just as I leave

you: graceful passage from one something to the next.
Darling, even in this my voice dissipates

Sotto Voce

To strip away this incessant chatter,
yes, but what lies underneath it?

Death, of course, or our fear of death.
Which is why we talk so much,

bury our heads in books, turn forests
into pages and pages into mirrors

in which we see ourselves appear
and disappear. When I look up

from the story I've been reading
about the Jews in Nazi Germany

and the silence that closed their
mouths forever, I see a girl outside

the cafe smiling in at her father
who smiles back but cannot hear her.

Long Enough

You would have thought it foolish to speak to the dead,

but I have lived two decades longer now than you

and all this time I have carried you in my head

so I think I have the right to question what you said,

dear teacher. My religious upbringing’s residue,

you would have thought it foolish. To speak to the dead,

however, is sometimes necessary, especially haunted

by all the things I know you hoped I’d do

with all this time that I have carried you in my head.

In a dream last night I followed where you led

Praise

1.

Snow clouds shadow the bay, on the ice the odd fallen gull.
I try to keep my friend from dying by remembering
his childhood of praise to God, who needs us all. Würzburg:
the grownups are inside saying prayers for the dead,
the children are sent out to play — their laughter
more sacred than prayer. After dark his father
blesses and kisses him Güttenacht. He wakes
to go to school with children who stayed behind
and were murdered before promotion.

Yom Kippur, Taos, New Mexico

I’ve expanded like the swollen door in summer
to fit my own dimension. Your loneliness

is a letter I read and put away, a daily reminder
in the cry of the magpie that I am

still capable of inflicting pain
at this distance.

Like a painting, our talk is dense with description,
half-truths, landscapes, phrases layered

with a patina over time. When she came into my life
I didn’t hesitate.

Canicule Macaronique

Heureux ceux qui ont la clim
Pendant la grande canicule.
Heureux those whose culs are cool.
Heureuse her and heureux him.

C’est la canicule qui hurle,
Ready to tear you limb from limb.
Heureux ceux qui ont la clim,
Cri-criant: ‘O turlútuturle! ’

La situation est grim,
The mise-en-scène a trifle burle.
À chaleur disons donc: ‘Ta gueule! ’
And keep ourselves amused and slim.

Draft of a dream

The message I found on the Post-it note
went thus: love truth; expect to be found out.
Kid-style capitals proved I wrote it, but
left no clue why I'd swelled into a fat

clause no editor could edit; then, an entry
on a shrink's list of patient slang for sex —
her desk Norwegian teak, the mug of tea
on which she had affixed her Post-it notes

hot against her knuckle, their lips of stickum
loosening... And yet, I knew the note
to peel away at hour's end would terminate
our sessions — cool as the draft her linen

“If no one ever marries me”

If no one ever marries me, —
And I don't see why they should,
For nurse says I'm not pretty,
And I'm seldom very good —

If no one ever marries me
I shan't mind very much;
I shall buy a squirrel in a cage,
And a little rabbit-hutch:

I shall have a cottage near a wood,
And a pony all my own,
And a little lamb quite clean and tame,
That I can take to town:

And when I'm getting really old, —
At twenty-eight or nine —
I shall buy a little orphan-girl
And bring her up as mine.

Pages