Two Portraits

I
You say, as one who shapes a life,
That you will never be a wife,

And, laughing lightly, ask my aid
To paint your future as a maid.

This is the portrait; and I take
The softest colors for your sake:

The springtime of your soul is dead,
And forty years have bent your head;

The lines are firmer round your mouth,
But still its smile is like the South.

Your eyes, grown deeper, are not sad,
Yet never more than gravely glad;

In the Wilderness

Mangled, uncared for, suffering thro’ the night
With heavenly patience the poor boy had lain;
Under the dreary shadows, left and right,
Groaned on the wounded, stiffened out the slain.
What faith sustained his lone,
Brave heart to make no moan,
To send no cry from that blood-sprinkled sod,
Is a close mystery with him and God.

The Picket-Guard

“All quiet along the Potomac,” they say,
“Except, now and then, a stray picket
Is shot as he walks on his beat to and fro,
By a rifleman hid in the thicket.
’ Tis nothing — a private or two, now and then,
Will not count in the news of the battle;
Not an officer lost — only one of the men
Moaning out, all alone, his death-rattle.”

Mother Mind

I never made a poem, dear friend—
I never sat me down, and said,
This cunning brain and patient hand
Shall fashion something to be read.

Men often came to me, and prayed
I should indite a fitting verse
For fast, or festival, or in
Some stately pageant to rehearse.
(As if, than Balaam more endowed,
I of myself could bless or curse.)

Reluctantly I bade them go,
Ungladdened by my poet-mite;
My heart is not so churlish but
Its loves to minister delight.

My Last Dance

The shell of objects inwardly consumed
Will stand, till some convulsive wind awakes;
Such sense hath Fire to waste the heart of things,
Nature, such love to hold the form she makes.

Thus, wasted joys will show their early bloom,
Yet crumble at the breath of a caress;
The golden fruitage hides the scathèd bough,
Snatch it, thou scatterest wide its emptiness.

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