Theater & Dance

I

I am asking something gone
return: at least one night, her face

a girl’ s, just twenty, and
to be married in a month,

holding the dress’ s hem to her lips
as places are called. And I,

come along too late to know her
trembling, parting the curtain —

let me hear her now
perched on the ladder, recite

“But Mama,...
am I pretty enough...?”

II

When Emily marries, ladies in hats
drown out the proper vows

— it’ s what the play requires;
the everyday over the sacred. Even the set

Sleep is 20
remembering the
insignificant flamenco dancer
in Granada
who became
important as you watched
the mountain ridge
the dry hills

What an idiotic number!

Sleep is twenty

it certainly isn’ t twenty sheep
there weren’ t that many in the herd
under the cold crest of Sierra Nevada

O, for my sake do you with Fortune chide,
The guilty goddess of my harmful deeds,
That did not better for my life provide
Than public means which public manners breeds.
Thence comes it that my name receives a brand,
And almost thence my nature is subdu'd
To what it works in, like the dyer's hand.
Pity me then and wish I were renew'd;
Whilst, like a willing patient, I will drink
Potions of eisel 'gainst my strong infection;
No bitterness that I will bitter think,
Nor double penance, to correct correction.

Under the separated leaves of shade
Of the gingko, that old tree
That has existed essentially unchanged
Longer than any other living tree,
I walk behind a woman. Her hair's coarse gold
Is spun from the sunlight that it rides upon.
Women were paid to knit from sweet champagne
Her second skin: it winds and unwinds, winds
Up her long legs, delectable haunches,
As she sways, in sunlight, up the gazing aisle.
The shade of the tree that is called maidenhair,
That is not positively known

My friends,
As it has been proven in the laboratory,
An empty pair of dance shoes
Will sit on the floor like a wart
Until it is given a reason to move.

Those of us who study inertia
(Those of us covered with wild hair and sleep)
Can state this without fear:
The energy in a pair of shoes at rest
Is about the same as that of a clown

When love was a question, the message arrived
in the beak of a wire and plaster bird. The coloratura
was hardly to be believed. For flight,

it took three stagehands: two
on the pulleys and one on the flute. And you
thought fancy rained like grace.

Our fog machine lost in the Parcel Post, we improvised
with smoke. The heroine dies of tuberculosis after all.
Remorse and the raw night air: any plausible tenor

It had almost nothing to do with sex.
The boy
in his corset and farthingale, his head-

voice and his smooth-for-the-duration chin
was not
and never had been simply in our pay. Or

was it some lost logic the regional accent
restores?
A young Welsh actor may play a reluctant

She does not know
her beauty,
she thinks her brown body
has no glory.

If she could dance
naked
under palm trees
and see her image in the river,
she would know.

But there are no palm trees
on the street,
and dish water gives back
no images.

In the hallway of life
you were a rose with no stem

and I, the janitor sweeping
away the fallen petals.

You said the world revolves
while we ourselves remain

in the darkness of the never-
ending, never-beginning never.

I say that the man who
was humiliated in the second act

and shot himself in the fifth,
stands up, smiles, bows.

The lamp asks,
is it the shadow writing this,

the pen, or their converging?
The paper asks nothing.

The shell of objects inwardly consumed
Will stand, till some convulsive wind awakes;
Such sense hath Fire to waste the heart of things,
Nature, such love to hold the form she makes.

Thus, wasted joys will show their early bloom,
Yet crumble at the breath of a caress;
The golden fruitage hides the scathèd bough,
Snatch it, thou scatterest wide its emptiness.