Broken Sonnet

The world weeps. There are no tears
To be found. It is deemed a miracle.
The president appears on screens
In villages and towns, in cities in jungles
And jungles still affectionately called cities.
He appears on screens and reads a story.
Whose story is he reading and why?
What lessons are to be learned from this story
About a time that has not arrived, will not arrive, is here?
Time of fire and images of fire climbing toward the sun
Time of precious and semi-precious liquids
Time of a man and a woman doused in ink

The Missing Portrait (1)

It does not do you like it
Imperfect copy's forgery
Posts its vermillion decree
These anointed mistakes
Neither robust nor enticing
These dark orthogonals and parallel curves
This swift recession to the single
Disgusted, the poem closes its mouth
Full of revulsion, the poem proceeds to close its eyes and ears
Once it recognizes, it realizes
Escape is impossible
Snow continues falling inside the glass egg
The villagers are singing, but the children looking in cannot hear them
Someone calls this poetry

[The challenge: to start]

The challenge: to start
not with theory but with tangible performance

You and others, approaching

We shall be asked for a way out

to be fed

to keep warm and dry

Starting with experience, magic
genuine science

More than once we have been lost
in a trackless wilderness

dwarfed and shadowed by mighty buildings
subway trains wild as elephants

One goes blindly back to one’ s desk

These moments come, their dark
shadow

[We wonder at our shifting capacities...]

We wonder at our shifting capacities, keep
adding and striking skills
from the bottoms of our résumés
under constant revision
like the inscriptions on tombs
shared for generations
unnervingly up
to date

Made nervous by our shift in capabilities, we write:

The Thing about Joe Sullivan

The pianist Joe Sullivan,
jamming sound against idea

hard as it can go
florid and dangerous

slams at the beat, or hovers,
drumming, along its spikes;

in his time almost the only
one of them to ignore

the chance of easing down,
walking it leisurely,

he’ ll strut, with gambling shapes,
underpinning by James P.,

amble, and stride over
gulfs of his own leaving, perilously

toppling octaves down to where
the chords grow fat again

Beautiful Habit

greetings
as the door opened
ticking

please listen to this
food alone for all
the f. b. i. will continue

maybe you dozed off
i hung by that phone all night
suppose he talks

*

vida

later

aria

*

once upon a time
not looking for any thing

*

you’ re on
your own
it’ s off
it’ s on

*

perhaps it means
ragged like that
golda my-yeer
pre-meer

*

and pour the old box
down a drain

*

Gracious Living(((span class="indent3"/))) ‘Tara’ 

lonely as four cherries on a tree
at night, new moon, wet roads
a moth or a snowflake
whipping past glass

lonely as the red noses of four clowns
thrust up through snow
their shine four whitened panes
drawn from imagined memory

lonely as no other lives
touching to recorded water
all objects stare
their memories aware

lonely as pain
recoiling from itself
imagining the cherries
and roses reaching out

The University of Essex

1. gone to lunch back in five minutes

night closed in on my letter of resignation
out in the square one of my threads had broken loose
the language i used was no and no
while the yellow still came through, the hammer and the drills

occasionally the metabolism alters
and lines no longer come express
waiting for you what muscles work me
which hold me down below my head?

it is a long coat and a van on the horizon
a bird that vanishes the arabic
i learn from observation is how to break the line

Scenes from “The Passion”: The Evening

There is an alley
where you can go,
where you can kiss
someone’ s mouth
until you climb
inside them, force
your way in, push
your cells into their cells
and become one
creature — angelic.
It isn’ t the way
you’ d dream it.
There is piss,
dew-damp moss crawling
across the brick.
Some nights it is so dark
you must enter only
by touch.
Walk by in the light
and it will seem
like nothing.
The scripture
is written by wenches:
4eva, L+ J, I. T. A. L. Y.

Pages