Arts & Sciences

Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making

London

crossfigured
creeping with trams

and the artists on sundays
in the summer
all ‘tracking Nature’
in the suburbs

the archive dance of

frank gehry crumples

to the sky its finger
and walking bridge.
the mummers disappear
my city sounds.
dance crumples to

the archive sky of fela.

the breaking public crush
a lot and pilgrimage from

greenville (to farmville) to ruleville up the road.
let me place Mrs. Hamer, who

crush like an architect outside, like

broke composition, in parchman.
lula and helena strayed
to the dock, founded the hiding

republic of the westside trucks to come

Razors pain you;
Rivers are damp;
Acids stain you;
And drugs cause cramp.
Guns aren’ t lawful;
Nooses give;
Gas smells awful;
You might as well live.

America I’ ve given you all and now I’ m nothing.
America two dollars and twentyseven cents January 17, 1956.
I can’ t stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb.
I don’ t feel good don’ t bother me.
I won’ t write my poem till I’ m in my right mind.
America when will you be angelic?
When will you take off your clothes?
When will you look at yourself through the grave?
When will you be worthy of your million Trotskyites?

1 Reverse the book in duration. What does that mean? I am writing to you. These notes now when it’ s too late.
2 If the cyborg you read about in bookstores is an immigrant from Mexico crossing into the U. S. beneath a floodlit court, then mine is a Punjabi-British hitchhiker on a JI visa. This is tunneling as seen from a satellite — sort of concave warp in the dirt of the line.

MILDRED COLLYMORE told the No. 3 Supreme Court yesterday that when she recovered from an attack with a stone she found herself "washed-way" in blood.

Collymore said also that accused Philamena Hinds came back to move the rock but she would not let her.

The complainant said that on the day of the incident she left her home and went over to her daughter's on the other side of the road to cut the grass from around the place. When she got to the spot she said dirt was on the grass and she took the hoe and raked it away.

This poem is concerned with language on a very plain level.
Look at it talking to you. You look out a window
Or pretend to fidget. You have it but you don’ t have it.
You miss it, it misses you. You miss each other.

The poem is sad because it wants to be yours, and cannot.
What’ s a plain level? It is that and other things,
Bringing a system of them into play. Play?
Well, actually, yes, but I consider play to be

"I grant you ample leave
To use the hoary formula 'I am'
Naming the emptiness where thought is not;
But fill the void with definition, 'I'
Will be no more a datum than the words
You link false inference with, the 'Since' & 'so'
That, true or not, make up the atom-whirl.
Resolve your 'Ego', it is all one web
With vibrant ether clotted into worlds:
Your subject, self, or self-assertive 'I'
Turns nought but object, melts to molecules,
Is stripped from naked Being with the rest

Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd —
The little dogs under their feet.