Shut, shut the door, good John! fatigu'd, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.
I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do, — harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
This youth too long has heard the break
Of waters in a land of change.
He goes to see what suns can make
From soil more indurate and strange.
He cuts what holds his days together
And shuts him in, as lock on lock:
The arrowed vane announcing weather,
The tripping racket of a clock;
Seeking, I think, a light that waits
Still as a lamp upon a shelf, —
A land with hills like rocky gates
Where no sea leaps upon itself.
My letters! all dead paper,... mute and white! —
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,... he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand... a simple thing,
Yet I wept for it! — this,... the paper's light...
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine — and so its ink has paled
1 QUAINT MAZES
And, after all, it is to them we return.
Their triumph is to rise and be our hosts:
lords of unquiet or of quiet sojourn,
those muddy-hued and midge-tormented ghosts.
On blustery lilac-bush and terrace-urn
bedaubed with bloom Linnaean pentecosts
put their pronged light; the chilly fountains burn.
Religion of the heart, with trysts and quests
1
Created purely from glass the saint stands,
Exposing his gifted quite empty hands
Like a conjurer about to begin,
A righteous man begging of righteous men.
2
In the sun lily-and-gold-coloured,
Filtering the cruder light, he has endured,
A feature for our regard; and will keep;
Of worldly purity the stained archetype.
3
I am looking at a smallpox vaccination scar
In a war movie on the arm
Of a young actor. He has just swum
Across a river somewhere in Normandy
Into the waiting arms of his rejoicing comrades.
Immortal Love, author of this great frame,
Sprung from that beauty which can never fade,
How hath man parcel'd out Thy glorious name,
And thrown it on that dust which Thou hast made,
While mortal love doth all the title gain!
Which siding with Invention, they together
Bear all the sway, possessing heart and brain,
(Thy workmanship) and give Thee share in neither.
Wit fancies beauty, beauty raiseth wit;
Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?
Is it no verse, except enchanted groves
And sudden arbours shadow coarse-spun lines?
Must purling streams refresh a lover's loves?
Must all be veil'd, while he that reads, divines,
Catching the sense at two removes?
The harbingers are come. See, see their mark:
White is their color, and behold my head.
But must they have my brain? Must they dispark
Those sparkling notions, which therein were bred?
Must dullness turn me to a clod?
Yet have they left me, Thou art still my God.
