Free Verse

Poem That Wants to Be Called the West Side Highway

You can do the work just by starting it. You can
do whatever you want. A bill
is drafted on a train to Albany, or in a black
limousine. Like how one day I walked
the entire length of Manhattan, except I didn’ t.
I didn’ t finish. Not nearly. How could I?
Stopped as I was by the boat basin. These
credit cards fill with gin
and tonic. They pool with the stuff. Maybe
I get a little lost sometimes,
start thinking I went to Yale. Once I swam
to Governors Island, between the ferries

The Bug

lands on my pretty man’ s forearm. Harmless,
it isn’ t deadly at all; makes his muscle flutter
— the one that gets his hand to hold mine, or
ball into a fist, or handle a gun. It’ s a ladybug,
or an Asian lady beetle everyone mistakes
for a ladybug — eating whatever
it lands on. My pretty man is asleep — at ease, or
plotting like the bug. Or maybe the bug
is a blowfly — eating my pretty man’ s tan
from his pretty arm. My man swats it
without waking, as if he’ s dreaming of an enemy,

For the Climbers

Among the many lives you’ ll never lead,
consider that of the wolverine, for whom avalanche
is opportunity, who makes a festival
of frozen marrow from the femur of an elk,
who wears the crooked North Star like an amulet

of teeth. In the game of which animal
would you return as, today I’ m thinking
snowshoe hare, a scuffle in the underbrush,
one giant leap. You never see them
coming and going, only the crosshairs

Better that any arc he sees confound than that it confirm his protestations.

It swallows all it swallows, mass mistaken for mass,
swallows it all as storm surge swallows swaths of shoreline,
offers for the finding after only slivers of glass,
deflects off weathered edifice, trickles through tumbledown.
Deflects barely, a swallow off the surface of a farm pond.
Even on cold nights, not all brilliance mimics the crystalline.
Not all wisdom waits, not all that winters winters underground.
Unspoken, any summons to silent predation.

I Don’t Have a Pill for That

It scares me to watch
a woman hobble along
the sidewalk, hunched adagio

leaning on —
there’ s so much fear
I could draw you a diagram

of the great reduction
all of us will soon
be way-back-when.

The wedding is over.
Summer is over.
Life please explain.

This book is nearly halfway read.
I don’ t have a pill for that,
the doctor said.

100 Bells

My sister died. He raped me. They beat me. I fell
to the floor. I didn’ t. I knew children,
their smallness. Her corpse. My fingernails.
The softness of my belly, how it could
double over. It was puckered, like children,
ugly when they cry. My sister died
and was revived. Her brain burst
into blood. Father was driving. He fell
asleep. They beat me. I didn’ t flinch. I did.
It was the only dance I knew.
It was the kathak. My ankles sang
with 100 bells. The stranger
raped me on the fitted sheet.

The River-Merchant’s Wife: A Letter

While my hair was still cut straight across my forehead
I played about the front gate, pulling flowers.
You came by on bamboo stilts, playing horse,
You walked about my seat, playing with blue plums.
And we went on living in the village of Chōkan:
Two small people, without dislike or suspicion.
At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never looked back.

Jessie Mitchell’s Mother

Into her mother’ s bedroom to wash the ballooning body.
“My mother is jelly-hearted and she has a brain of jelly:
Sweet, quiver-soft, irrelevant. Not essential.
Only a habit would cry if she should die.
A pleasant sort of fool without the least iron....
Are you better, mother, do you think it will come today?”
The stretched yellow rag that was Jessie Mitchell’ s mother

Pages