Animals

All day my husband pounds on the upstairs porch.
Screeches and grunts of wood as the wall is opened
keep the whole house tormented. He is trying to reach
the bees, he is after bees. This is the climax, an end
to two summers of small operations with sprays and ladders.

Last June on the porch floor I found them dead,
a sprinkle of dusty bugs, and next day a still worse
death, until, like falling in love, bee-haunted,
I swept up bigger and bigger loads of some hatch,
I thought, sickened, and sickening me, from what origin?

I went for a walk over the dunes again this morning
to the sea,
then turned right along
the surf
rounded a naked headland
and returned

along the inlet shore:

it was muggy sunny, the wind from the sea steady and high,
crisp in the running sand,
some breakthroughs of sun
but after a bit

continuous overcast:

As the immense dew of Florida
Brings forth
The big-finned palm
And green vine angering for life,

As the immense dew of Florida
Brings forth hymn and hymn
From the beholder,
Beholding all these green sides
And gold sides of green sides,

And blessed mornings,
Meet for the eye of the young alligator,
And lightning colors
So, in me, come flinging
Forms, flames, and the flakes of flames.

The palm at the end of the mind,
Beyond the last thought, rises
In the bronze decor,

A gold-feathered bird
Sings in the palm, without human meaning,
Without human feeling, a foreign song.

You know then that it is not the reason
That makes us happy or unhappy.
The bird sings. Its feathers shine.

The palm stands on the edge of space.
The wind moves slowly in the branches.
The bird's fire-fangled feathers dangle down.

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

The song
sparrow puts all his
saying
into one
repeated song:
what

variations, subtleties
he manages,
to encompass denser
meanings, I’ m
too coarse
to catch: it’ s

one song, an over-reach
from which
all possibilities,
like filaments,
depend:
killing,

nesting, dying,
sun or cloud,
figure up
and become
song — simple, hard:
removed.

The wallful of quoted passages from his work,
with the requisite specimens pinned next
to their literary cameo appearances, was too good

a temptation to resist, and if the curator couldn’ t,
why should we? The prose dipped and shimmered
and the “flies,” as I heard a buff call them, stood

Gray whale
Now that we are sending you to The End
That great god
Tell him
That we who follow you invented forgiveness
And forgive nothing

I write as though you could understand
And I could say it
One must always pretend something
Among the dying
When you have left the seas nodding on their stalks
Empty of you
Tell him that we were made
On another day

Long after Ovid’ s story of Philomela
has gone out of fashion and after the testimonials
of Hafiz and Keats have been smothered in comment
and droned dead in schools and after Eliot has gone home
from the Sacred Heart and Ransom has spat and consigned
to human youth what he reduced to fairy numbers
after the name has become slightly embarrassing
and dried skins have yielded their details and tapes have been

All the way north on the train the sun
followed me followed me without moving
still the sun of that other morning
when we had gone over Come on over
men at the screen door said to my father
You have to see this it’ s an ape bring
the little boy bring the boy along