The old Roman sow
Bears a new litter now
To fatten for a while
On the same imperial swill.
The cannibal wolf will dig
And root out Spanish bones beside the pig.
Germany has reared
A rare ugly bird
To screech a sour song
In the German tongue:
Tell me if there be
A sparrowhawk for such birds as he?
The stairs lead to the room as bleak as glass
Where fancy turns the statues.
The empty chairs are dreaming of a protocol,
The tables, of a treaty;
And the world has become a museum.
(The girl is gone,
Fled from the broken altar by the beach,
From the unholy sacrifice when calms became a trade-wind.)
I set out from the Port of Acapulco on the twenty-third of March
And kept a steady course until Saturday, the fourth of April, when
A half hour before dawn, we saw by the light of the moon
That a ship had come alongside
With sails and a bow that seemed to be of silver.
Our helmsman cried out to them to stand off
But no one answered, as though they were all asleep.
Again we called out: “WHERE DID THEIR SHIP COME FROM?”
And they said: Peru!
After which we heard trumpets, and muskets firing,
A famous battle happened in this valley.
You never understood the nature poem.
Till now. Till this moment — if these statements
seem separate, unrelated, follow this
Thanks for the violence. Thanks for Walt’ s rude muscle
pushing through the grass, for tiny Gulliver crushed
between the giant’ s breasts. Thanks for Moby’ s triangular hump
and Ahab’ s castrated leg. Thanks for the harpoons.
Thanks for this PBS history of the automatic pistol.
I got a letter from the government.
It said let there be night.
I went through your trash.
There was night, all right.
I consider how your light is spent.
I have butterflies a little bit.
I have some pills I take for it.
I’ ve been up since four the day before.
Agony’ s a cinch to sham.
Don’ t worry about the environment.
Let it kill us if it can.
I give a tiny tinker’ s damn.
I put the ox behind the cart.
Consume away my snow-blind heart.
Is unwritten, though it has lived in violence.
First the factory stood, quiet as an asylum.
Then the annihilating mallee with its red fists of blossoms
and the mountain ash creeping over it like a stain.
I have no proof, but I tell you
there were leadlight windows here once, barred.
They cast a little striped light on the women.
Now in scrub and yellow broom I stand on a history
braided and unbraided by stiff Irish wrists.
The rope and span and carded wool are unpicked
as are their faces and names.
By new names
and then no names
at all, their laws
will reach your land,
Lorine, to feed
on your much loved
marshy spaces
whose occasional faces
discern a stranger
from far off
but like to take
a break from well
or welding just
to talk. We can-
not extricate
a place from those
it’ s made of, the sounds
it makes. But now
from Blackhawk
Island to Madison
to Washington,
geologies
thin; more things
sound or work
Struck a pair of stones to start off. Left behind
ten men curled like scythes round the fire.
Left behind the bracing moon. Passed a pack
of ibex, passed the mammoth. Left the carious
canines before the rath, left the scapula —
freed space for petal dyes, for fixatives.
Passed (in a dream) Chauvet. Alsace. Lorraine.
Past the scree, past the wolf standing sentinel, her
mouth. Struck two stones to hearten the blaze,
sped up; pulled from the sack the manganese, the gilt
mixture of ochre and ore, the animal fat,
Don’ t forget this: Men who live in this time remember the price of each bottle of vodka. Sunlight on the canal outside the train-station. With the neighbor’ s ladder, my brother Tony “Mosquito” and I climb the poplar in the public garden with one and a half bottles of vodka and we drink there all night. Sunlight on a young girl’ s face, asleep on the church steps. Tony recites poems, forgets I cannot hear. I watch the sunlight in the rearview mirror of trolleys as they pass.
