All day they stream past, petitioners
for understanding, accolade, critique.
I read them all, a vast anthology
of jumbled genres on a common theme:
affliction. So I parse, interpret, scan.
I graph dysrhythmias, dysmetrias;
I eavesdrop on caesuras for unsaid
murmurs, gallops, rubs, snaps, flutters, clicks.
The perils of misreading harrow me —
beware the treacheries of metaphor! —
the elephant that squats upon a chest
is not a burning heart or waterbrash.
A Caledonian megalith.
A tinted bather from Cape Ann.
The 1937 kith
and kin of a Kentuckian
beside their Model T sedan.
The Celts. Who set me this arith-
metic of icons? Who began
by pasting in Bob Dylan? Zith-
erpicking rhinestone charlatan.
He tries to be American.
Self-hatred? No, no dear: that seems inflated —
chagrin: the shame you feel when friends withdraw
for reasons they leave tactfully unstated,
leaving you to guess at your faux pas
From all you did and didn’ t say for ages,
as in some vast congressional report,
your sin, at last, is lost among the pages;
a snow of detail cuts inquiry short.
In downtown windows where late sunlight glares,
you see yourself, as if you’ d never met.
Who is this rumpled lookalike who wears
a blouse like yours, the armpits dark with sweat?
The stars are
Although I do not sing
About them —
The sky and the trees
Are indifferent
To whom they please
The rose is unmoved
By my nose
And the garland in your hair
Although your eyes be lakes, dies
