PART I
I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame —
Yet no tradition hath preserved his name.
I never made a poem, dear friend
I never sat me down, and said,
This cunning brain and patient hand
Shall fashion something to be read.
Men often came to me, and prayed
I should indite a fitting verse
For fast, or festival, or in
Some stately pageant to rehearse.
(As if, than Balaam more endowed,
I of myself could bless or curse.)
Reluctantly I bade them go,
Ungladdened by my poet-mite;
My heart is not so churlish but
Its loves to minister delight.
The grave has more power than the eyes of the beloved.
An open grave with all its magnets.
This weight on the wings. The sky is waiting for an airship.
I have the feeling that I haven’ t got much life left.
Three hours after the celestial attack.
Why don’ t I respond when I’ m being offended?
Because my religion doesn’ t allow me to.
Exterior maps: geography. Interior maps: psychography.
And in your hard cathedral I kneel.
Mountains pass camels pass
like the history of wars in antiquity.
When I watched the Barbaric Writers defecate on my
manuscript, I felt a great sense of relief, a great sense of
fraternity with these men who loved literature enough to
destroy it, and I recalled a poem I had once written, but
never had the confidence to publish, about a so-called
poet who shat himself into a toilet, only to float on his
back as torrential downpours of power filled the bowl and drowned
him. I have always know that constipation is essential to
poetry, though what I did not realize, until recently,
Doors open and shut.
We’ ve come to the place where nothing shines.
I hear eternity
Is self-forgetting. Interiors warm with the nightmare of guests and poetry
And you. Everything darkly
Reverent years of reading about death eluded.
Bled
Back from the ear sidestepping your bullets bloom in on ye lay
Rock. Rud. Spread
So swiftly tastes like mud. Dredged mud off
The corpse sled hushed down woodsmoke.
Said the stars thrum on Marie
Marie. Hold on tight.
In the depths of outer space
Is man.
I want you with me, and yet you are the end
of my privacy. Do you see how these rooms
have become public? How we glance to see if —
who? Who did you imagine?
Surely we’ re not here alone, you and I.
I’ ve been wandering
where the cold tracks of language
collapse into cinders, unburnable trash.
Beyond that, all I can see is the remote cold
of meteors before their avalanches of farewell.
It had to be from someone whose grandparents were born in Shanghai
not the city’ s greatest citizens, but certainly among the sober ones
to make their small now eroded mark
It had to be from a distant or dissolute descendant (yes, moi)
who can sing praises unworthy of even a flicker of your attention
It does not do you like it
Imperfect copy's forgery
Posts its vermillion decree
These anointed mistakes
Neither robust nor enticing
These dark orthogonals and parallel curves
This swift recession to the single
Disgusted, the poem closes its mouth
Full of revulsion, the poem proceeds to close its eyes and ears
Once it recognizes, it realizes
Escape is impossible
Snow continues falling inside the glass egg
The villagers are singing, but the children looking in cannot hear them
Someone calls this poetry
They have left behind the established cave
with its well-worn floor. Scholarship impels them
in hundreds, but generally one by one,
to find an unknown passage or scrape out their own.
Proto-Semitic linguistic theory,
Hittite stratigraphic anomalies,
microclimatic economics. "What do you see?"
invisible followers ask in their ears,
and they whisper "Wonderful things" as they quarry
a grain of rock at a time, or examine
a fleck of ore, or measure
the acidity of a trickle of water.
See! Behold! Look! Lo!
Having returned at last and being carefully seated
On the floor — somebody else's floor, as usual —
Far away across that ocean which looked
Through Newport windows years ago — somebody else's livingroom —
Another messed-up weedy garden
Tall floppy improbably red flowers
All the leaves turned over in the rain
Ridged furry scrotum veins
