for the eyes of the children,
the last to melt,
the last to vaporize,
for the lingering
eyes of the children, staring,
the eyes of the children of
buchenwald,
of viet nam and johannesburg,
for the eyes of the children
of nagasaki,
for the eyes of the children
of middle passage,
for cherokee eyes, ethiopian eyes,
russian eyes, american eyes,
for all that remains of the children,
their eyes,
staring at us, amazed to see
the extraordinary evil in
All their fences
All their prisons
All their exercises
All their agendas
All their stanzas look alike
All their metaphors
All their bookstores
All their plantations
All their assassinations
All their stanzas look alike
All their rejection letters
All their letters to the editor
All their arts and letters
I don't usually talk to strangers, but it is four o'clock and I can't get a cab. I need a cab because I have packages, but it's four o'clock and all the cabs are off duty. They are making a shift change. At the bus stop I say, It's hard to get a cab now. The woman standing next to me glances over without turning her head. She faces the street where cab after cab drives by with its light off. She says, as if to anyone, It's hard to live now. I don't respond. Hers is an Operation Iraqi Freedom answer.
I only recognized your hair: short,
neatly combed. Our mother
would’ ve been proud.
In the Sonoran desert
your body became a slaughter-
house where faith and want were stunned,
hung upside down, gutted. We
were taught
to bring roses, to aim for the bush. Remember?
You tried to pork
a girl’ s armpit. In Border Patrol
jargon, the word
I’ ve come to this one grassy hill
in Ramallah, off Tokyo Street,
to place a few red anemones
& a sheaf of wheat on Darwish’ s grave.
A borrowed line transported me beneath
a Babylonian moon & I found myself
lucky to have the shadow of a coat
as warmth, listening to a poet’ s song
of Jerusalem, the hum of a red string
Caesar stole off Gilgamesh’ s lute.
I know a prison of sunlight on the skin.
The land I come from they also dreamt
before they arrived in towering ships
Where ever something breathes
Heart beating the rise and fall
Of mountains, the waves upon the sky
Of seas, the terror is our ignorance, that’ s
Why it is named after our home, earth
Where art is locked between
Gone and Destination
The destiny of some other where and feeling
The ape knew this, when his old lady pulled him up
Off the ground. Was he grateful, ask him he’ s still sitting up there
Watching the sky’ s adventures, leaving two holes for his own. Oh sing
In an air-conditioned trailer, three geeks
barely beyond boyhood fist-bump and high-five
at a job well done. With the click of a key a dozen
soundless screens flutter. Now in the shallow
of a cave near the Khyber Pass, a stack of glow sticks
activated in the blast steeps the darkness green:
two cans of pineapple; a mangled can of beets
bleeding juice; some boy streaked black, his burns
wrapped in torn canvas tent flaps. He must hear the
cyborg beetle’ s brains buzz like a circuit- bent keyboard
Though loath to grieve
The evil time's sole patriot,
I cannot leave
My honied thought
For the priest's cant,
Or statesman's rant.
If I refuse
My study for their politique,
Which at the best is trick,
The angry Muse
Puts confusion in my brain.
But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blindworm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife!
The birds against the April wind
Flew northward, singing as they flew;
They sang, “The land we leave behind
Has swords for corn-blades, blood for dew.”
“O wild-birds, flying from the South,
What saw and heard ye, gazing down?”
“We saw the mortar’ s upturned mouth,
The sickened camp, the blazing town!
In Ocean's wide domains,
Half buried in the sands,
Lie skeletons in chains,
With shackled feet and hands.
Beyond the fall of dews,
Deeper than plummet lies,
Float ships, with all their crews,
No more to sink nor rise.
There the black Slave-ship swims,
Freighted with human forms,
Whose fettered, fleshless limbs
Are not the sport of storms.
