Afternoon burns everything off Franklin Street.
Even the birds, even the flies.
Or iced-tea sugar and chicken grease weigh everyone
into a doze, all indoors, in a cool
they said would never come eighty years ago
when this was still the center of business
and the civilized left these high hours to the dogs,
ice in a highball, and let each house
When they come
filling the yard with their overheard,
broke-glass catastrophes of voice,
overcrowded party line,
he lets the screen door clap
to see them plume
the settle back to the fence,
aftershocks of crowd and wail.
When they come
he says again he was home at breakfast
radio preacher doing love thy neighbor
and then the bomb,
just ask the wife.
The silence
in the TV's cathode glow
slowly fills with questions
as starlings shutter light
then weigh the lines, voices
Once upon a today and yesterday and nevermore there were 7 men and women all locked / up in prison cells. Now these 7 men and women were innocent of any crimes; they were in prison because their skins were black. Day after day, the prisoners paced their cells, pining for their freedom. And the non-black jailers would laugh at the prisoners and beat them with sticks and throw their food on the floor. Finally, prisoner #1 said, “I will educate myself and emulate the non-colored people. That is the way to freedom — c’ mon, you guys, and follow me.” “Hell, no,” said prisoner #2.
Hard Rock / was / “known not to take no shit
From nobody,” and he had the scars to prove it:
Split purple lips, lumbed ears, welts above
His yellow eyes, and one long scar that cut
Across his temple and plowed through a thick
Canopy of kinky hair.
they move in swift on the Swift
Plants in six states & sift
through the faces to separate
the dark from the light
like meat & seat them in
the back of vans packed tight
like the product they pack
& who's to pick up the slack
the black & white can't cut it
so the beef stacks sell single
to feed the pack the flock
who block passages & clog
Conchita debemos to speak totalmente in English
cuando we go into Sears okayPor qué
Porque didn’ t you hear lo que pasóIt say
on the eleven o’ clock news anoche que two robbers
was caught in Sears and now this is the part
I’ m not completely segura que I got everything
porque channel 2 tiene tú sabes that big fat guy
that’ s hard to understand porque his nose sit on his lip
like a elefante pues the point es que the robbers the police say
He was just some coked-out,
crazed King w/crooked teeth
& a teardrop forever falling,
fading from his left eye, peddling
crack to passengers or crackheads
passing as passengers on a train
chugging from Chicago to Cicero,
from the Loop through K-Town:
Kedzie, Kostner, Kildare.
I was just a brown boy in a brown shirt,
head shaven w/fuzz on my chin,
staring at treetops & rooftops
seated in a pair of beige shorts:
a badge of possibility — a Bunny
This was the winter mother told time by my heart
ticking like a frayed fan belt in my chest.
This was the fifties & we were living on nothing
& what of her, the black girl, my own black nurse,
what of her who arrived on Greyhound in the heart
of so dramatic a storm it froze the sleeves at her wrists
& each nostril was rimed with white like salt on a glass,
what of her who came up the dark stair on the limp of her
own bad ticker, weary, arrogant, thin, her suitcase noosed
I.
The Santa Anas, childlike and profound,
blanket me; I see the dust stirring the valley
and clouding downtown San Bernardino;
I feel the sting of your loss.
The black oak leaves, brittle, tumbling,
crack under my feet. Is your hand
touching the dryness of my lips?
You sing: "Don't sit, mountain-still,
a coyote skull whistling."
I tug at the skin on my wrist, trying
to peel off the seam, my stubbornness.
First light of day in Mississippi
son of laborer & of house wife
it says so on the official photostat
not son of fisherman & child fugitive
from cottonfields & potato patches
from sugarcane chickens & well-water
from kerosene lamps & watermelons
mules named jack or jenny & wagonwheels,
years of meaningless farm work
work Work WORK WORK WORK —
“Papa pull you outta school bout March
to stay on the place & work the crop”
— her own earliest knowledge
of human hopelessness & waste
