Into my backyard’ s six fat squares of concrete rigged with clothesline,
Charlie the Cop swung gunnysacks convulsed with Jersey chickens.
From the open view of other yards, unfolded down the block,
neighbor women watched ours boil tub water; the barechested men,
laying out knives and cleavers, fumbled the animals into daylight,
I was sitting in Old Town Square
with tourists and birds and I was reading
Foucault, how “he who is subjected
to a field of visibility... becomes
the principle of his own subjection”
and all around me the beautiful
Czechoslovakian boys moved through the first
day of spring like perennially
visible inmates in the opening credits
of a prison porno. The sun reflected off
the glass and my table was an inscrutable
tower of light from which I peered, invisibly,
at the swan-graceful boys who seemed to skirr
Is the governor falling
From a great height?
Arm in arm we fled the brassiere factory,
The motion-boat stayed on the shore!
I saw how round its bottom was
As you walked into southern France —
Upon the light hair of an arm
Cigar bands lay!
I kissed you then. Oh is my bar
The insect of your will? The water rose,
But will the buffalo on
The nickel yet be still?
For how can windows hold out the light
In your eyes!
Darling, we fled the brassiere factory
In forty-eight states,
Arm in arm,
The Magic of Numbers — 1
How strange it was to hear the furniture being moved around in the apartment upstairs!
I was twenty-six, and you were twenty-two.
The Magic of Numbers — 2
You asked me if I wanted to run, but I said no and walked on.
I was nineteen, and you were seven.
The Magic of Numbers — 3
Yes, but does X really like us?
We were both twenty-seven.
I love you as a sheriff searches for a walnut
That will solve a murder case unsolved for years
Because the murderer left it in the snow beside a window
Through which he saw her head, connecting with
Her shoulders by a neck, and laid a red
Roof in her heart. For this we live a thousand years;
For this we love, and we live because we love, we are not
Inside a bottle, thank goodness! I love you as a
Kid searches for a goat; I am crazier than shirttails
In the wind, when you’ re near, a wind that blows from
The process of through is ongoing.
The earth doesn’ t seem to move, but sometimes we fall
down against it and seem to briefly alight on its turning.
We were just going. I was just leaving,
which is to say, coming
elsewhere. Transient. I was going as I came, the words
move through my limbs, lungs, mouth, as I appear to sit
“Would you mind
If I headed up early?”
Says the husband
To his young wife.
“Follow when you like.”
Later that evening
The beautiful face
And exquisite limbs
Will rise from the table
Of the Southern inn
Having been spied
By the antihero
Across the room
Reading an indifferent book.
Oh, quick —
Let a storm kill the light!
But you might as well say it
To a wall.
We can’ t change
A single
Silver setting, or
Even by one day
Reduce
The bright full moon.
You love your friend, so you fly across the country to see her.
Your friend is grieving. When you look at her, you see that something’ s missing.
You look again. She seems all there: reading glasses, sarcasm, leather pumps.
What did you expect? Ruins? Demeter without arms in the British Museum?
Your friend says she believes there’ s more pain than beauty in the world.
When Persephone was taken, Demeter damned the world for half the year.
The other half remained warm and bountiful; the Greeks loved symmetry.
Netflix the Green Man and any screen
becomes a vineyard. Episodes cluster
and climb, trellis narrative. Between
the corn and lichen, creepers muster
nine lives. They grow, divide, and splice,
steal scenes by running fox grape, bittersweet,
return on any handheld device
as moonseed, woodbine, dodder, buckwheat —
false buckwheat — note, though star- and heart-shaped.
He trucks some mascot for our kids, glad-hands
a sidekick dressed to burrow, root, and take
them through their lessons rattling dad’ s
My father was an enormous man
Who believed kindness and lack of size
Were nothing more than sissified
Signs of weakness. Narrow-minded,
His eyes were the worst kind
Of jury — deliberate, distant, hard.
No one could outshout him
Or make bigger fists. The few
Who tried got taken for bad,
Beat down, their bodies slammed.
I wanted to be just like him:
Big man, man of the house, king.
