With what deep murmurs through time’ s silent stealth
Doth thy transparent, cool, and wat’ ry wealth
Here flowing fall,
And chide, and call,
As if his liquid, loose retinue stay’ d
Ling’ ring, and were of this steep place afraid;
The common pass
Where, clear as glass,
All must descend
Not to an end,
But quicken’ d by this deep and rocky grave,
“Is there no balm in Gilead?” So cries
dour Jeremiah in granite tones.
“There is a balm in Gilead,” replies
a Negro spiritual. The baritone
who chants it, leaning forward on the platform,
looks up, not knowing his voice is a rainstorm
that rinses air to reveal earth’ s surprises.
Today, the summer gone, four monarch butterflies,
The one horse you gave me
you took back when she went insane,
when she began to chew wood
instead of the expensive grain
we bought from the feed store,
the grain that had the sweet smell
of molasses and was good for even
us to chew. She turned into
an ugly thing with her wild thoughts,
and I forgot about the beauty
expected of her when her blanket
filled out and complemented
her chestnut body and the name
the Nez Percé gave her. She rotted
and began to stink of promises
On abandon, uncalled for but called forth.
The hydrangea
Of her crushed each year a little more into the attar of herself.
Pallid. Injured, wildly capable.
A throat to come home to, tupelo.
Lemurs in parlors, inconsolable.
Parlors of burgundy and sleigh. Unseverable fear.
Wistful, woke most every afternoon
I have nothing to recant, I am just
the decanter. You, the just destroyer,
have in faith become the role, recalling
for those gathered the noble fallen
with a prayer to his-grace-above-fire,
(“Turn me, I’ m burnt on that side”)
St. Lawrence. Well done, I applaud.
And you: Well executed.
This is it. Not much else to await
when our fates touch: I’ ve nowhere to be
but eternity, you’ ve nothing to catch
but the thatch. Dry on dry,
we keep our wits about us...
no one to meet but our match.
Open the gates — the gates of the Temple,
Swift to Thy sons, who Thy truths have displayed.
Open the gates — the gates that are hidden,
Swift to Thy sons, who Thy Law have obeyed.
Open the gates — of the coveted Temple,
Swift to Thy sons who confess and seek grace.
Open the gates — of the armies celestial,
Swift to Thy sons, Judah’ s tearful-eyed race.
Open the gates — the radiant portals,
Swift to Thy sons who are lovely and pure.
Open the gates — of the crown of fidelity,
Swift to Thy sons who in God rest secure.
I
1
Pearl, the precious prize of a king,
Chastely set in cherished gold,
In all the East none equalling,
No peer to her could I behold.
So round, so rare, a radiant thing,
So smooth she was, so small of mold,
Wherever I judged gems glimmering
I set her apart, her price untold.
Alas, I lost her in earth’ s green fold;
Through grass to the ground, I searched in vain.
I languish alone; my heart grows cold
For my precious pearl without a stain.
2
The first day of Christmas,
My true love sent to me
A partridge in a pear tree.
The second day of Christmas,
My true love sent to me
Two turtle doves, and
A partridge in a pear tree.
The third day of Christmas,
My true love sent to me
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
The fourth day of Christmas,
My true love sent to me
Four colly birds,
Three French hens,
Two turtle doves, and
A partridge in a pear tree.
By the stream, where the ground is soft
and gives, under the slightest pressure — even
the fly would leave its footprint here
and the paw of the shrew the crescent
of its claws like the strokes of a chisel
in clay; where the lightest chill, lighter
than the least rumor of winter, sets the reeds
to a kind of speaking, and a single drop of rain
All around the altar, huge lianas
curled, unfurled the dark green
of their leaves to complement the red
of blood spilled there — a kind of Christmas
decoration, overhung with heavy vines
and over them, the stars.
When the angels came, messengers like birds
but with the oiled flesh of men, they hung
over the scene with smoldering swords,
splashing the world when they beat
