Romantic Love

Ex Machina

When love was a question, the message arrived
in the beak of a wire and plaster bird. The coloratura
was hardly to be believed. For flight,

it took three stagehands: two
on the pulleys and one on the flute. And you
thought fancy rained like grace.

Our fog machine lost in the Parcel Post, we improvised
with smoke. The heroine dies of tuberculosis after all.
Remorse and the raw night air: any plausible tenor

The Healing Improvisation of Hair

If you undo your do you would
be strange. Hair has been on my mind.
I used to lean in the doorway
and watch my stony woman wind
the copper through the black, and play
with my understanding, show me she cóuld
take a cup of river water,
and watch it shimmy, watch it change,
turn around and become ash bone.
Wind in the cottonwoods wakes me
to a day so thin its breastbone

Stubbornly

Pass by the showy rose,
blabbing open,
suckling a shiny beetle;

pass by the changeless diamond
that falls asleep in shadow —

this love is a lichen,

alga and fungus made one fleck,
feeding on what it feeds,

growing slightly faster than stone
into a patch of gray lace,
a double thumbprint,

its bloom distinguishable, with practice,
from its dormant phase,

crocheting its singular habit
over time, a faithful stain
bound to its home,

etching on the unmoved rock
the only rune it knows.

The Artist

Why do you subdue yourself in golds and purples?
Why do you dim yourself with folded silks?
Do you not see that I can buy brocades in any draper’ s shop,
And that I am choked in the twilight of all these colors.
How pale you would be, and startling —
How quiet;
But your curves would spring upward
Like a clear jet of flung water,
You would quiver like a shot-up spray of water,

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