1/ THE MOUTH
Not English Somali Italian French the mouth
blown open in the Toyota battle wagon at KM4
speaks in a language never heard before.
Not the Absolute Speaker of the News,
not crisis chatter's famine/flame,
the mouth blown open at KM4
speaks in a language never heard before.
Speaks back to the dead at KM4,
old men in macawis, beards dyed with henna,
the women wearing blue jeans under black chadors.
Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.
He knew that he heard it,
A bird’ s cry at daylight or before,
In the early March wind
The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.
It was not from the vast ventriloquism
Of sleep’ s faded papier mâché...
The sun was coming from outside.
That scrawny cry — it was
A chorister whose c preceded the choir.
It was part of the colossal sun,
He started with the tune his mother had hummed
in Ohio, nostalgia he’ d carried for years,
and by Sunday afternoon he had the words.
A triumph, already; he whistled the banjo’ s part.
(Himself a sympathizer from the North,
called copperhead, called traitor by his own kin.)
Something lively, some git-up-and-git they’ d wanted
and didn’ t he deliver —
Miss Susan got seven encores the first night.
That gave them their tune, their Negro walk-around —
sound opens sound
shank of globe strings floating out
something like images are here
opening up avenues to view a dome
a distant clang reaches the edifice.
understanding what it means
to understand music
The song
sparrow puts all his
saying
into one
repeated song:
what
variations, subtleties
he manages,
to encompass denser
meanings, I’ m
too coarse
to catch: it’ s
one song, an over-reach
from which
all possibilities,
like filaments,
depend:
killing,
nesting, dying,
sun or cloud,
figure up
and become
song — simple, hard:
removed.
Rather than hold his hands properly
arched off the keys, like cats
with their backs up,
Monk, playing block chords,
hit the keys with his fingertips well
above his wrists,
shoulders up, wrists down, scarce
room for the pencil, ground
freshly to a point,
piano teachers love to poke
into the palms of junior
pianists with lazy hands.
Last night a man on the radio,
a still young man, said the business district
of his hometown had been plowed under.
The town was in North Dakota.
Grass, where the red-and-gold
Woolworth sign used to be,
where the revolving doors
took him inside Sears;
gone the sweaty seats
of the Roxy — or was it the Princess —
of countless Friday nights
that whipped his heart to a gallop
when a girl touched him, as the gun
on the screen flashed in the moonlight.
The sour smell,
blue stain,
water squirts out round the wedge,
Carnival morning they
were Greeks in Brazil,
Africans in Greek
disguise. Said of herself
she
was born in a house in
heaven. He said he was
born in the house next
door... They were in hell.
In Brazil they were
lovebait.
To abide by hearing was
what love was... To
love was to hear without
