Krushchev is coming on the right day!
the cool graced light
is pushed off the enormous glass piers by hard wind
and everything is tossing, hurrying on up
this country
has everything but politesse, a Puerto Rican cab driver says
and five different girls I see
look like Piedie Gimbel
Lana Turner has collapsed!
I was trotting along and suddenly
it started raining and snowing
and you said it was hailing
but hailing hits you on the head
hard so it was really snowing and
raining and I was in such a hurry
to meet you but the traffic
was acting exactly like the sky
and suddenly I see a headline
lana turner has collapsed!
there is no snow in Hollywood
there is no rain in California
I have been to lots of parties
and acted perfectly disgraceful
but I never actually collapsed
Passing through huddled and ugly walls,
By doorways where women haggard
Looked from their hunger-deep eyes,
Haunted with shadows of hunger-hands,
Out from the huddled and ugly walls,
I came sudden, at the city's edge,
On a blue burst of lake,
Long lake waves breaking under the sun
On a spray-flung curve of shore;
And a fluttering storm of gulls,
Masses of great gray wings
And flying white bellies
Veering and wheeling free in the open.
There will be a rusty gun on the wall, sweetheart,
The rifle grooves curling with flakes of rust.
A spider will make a silver string nest in the
darkest, warmest corner of it.
The trigger and the range-finder, they too will be rusty.
And no hands will polish the gun, and it will hang on the wall.
Forefingers and thumbs will point casually toward it.
It will be spoken among half-forgotten, whished-to-be-forgotten things.
They will tell the spider: Go on, you're doing good work.
The buffaloes are gone.
And those who saw the buffaloes are gone.
Those who saw the buffaloes by thousands and how they pawed the prairie sod into dust with their hoofs, their great heads down pawing on in a great pageant of dusk,
Those who saw the buffaloes are gone.
And the buffaloes are gone.
THE single clenched fist lifted and ready,
Or the open asking hand held out and waiting.
Choose:
For we meet by one or the other.
The fog comes
on little cat feet.
It sits looking
over harbor and city
on silent haunches
and then moves on.
Tomb of a millionaire,
A multi-millionaire, ladies and gentlemen,
Place of the dead where they spend every year
The usury of twenty-five thousand dollars
For upkeep and flowers
To keep fresh the memory of the dead.
The merchant prince gone to dust
Commanded in his written will
Over the signed name of his last testament
Twenty-five thousand dollars be set aside
For roses, lilacs, hydrangeas, tulips,
For perfume and color, sweetness of remembrance
Around his last long home.
I am the people — the mob — the crowd — the mass.
Do you know that all the great work of the world is done through me?
I am the workingman, the inventor, the maker of the world’ s food and clothes.
I am the audience that witnesses history. The Napoleons come from me and the Lincolns. They die. And then I send forth more Napoleons and Lincolns.
The abracadabra boys — have they been in the stacks and cloisters? Have they picked up languages for throwing into chow mein poems?
Have they been to a sea of jargons and brought back jargons? Their salutations go: Who cometh? and, It ith I cometh.
They know postures from impostures, pistils from pustules, to hear them tell it. They foregather and make pitty pat with each other in Latin and in their private pig Latin, very ofay.
