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A Fable

Once upon a today and yesterday and nevermore there were 7 men and women all locked / up in prison cells. Now these 7 men and women were innocent of any crimes; they were in prison because their skins were black. Day after day, the prisoners paced their cells, pining for their freedom. And the non-black jailers would laugh at the prisoners and beat them with sticks and throw their food on the floor. Finally, prisoner #1 said, “I will educate myself and emulate the non-colored people. That is the way to freedom — c’ mon, you guys, and follow me.” “Hell, no,” said prisoner #2.

Haiku

1
Eastern guard tower
glints in sunset; convicts rest
like lizards on rocks.

2
The piano man
is stingy, at 3 A. M.
his songs drop like plum.

3
Morning sun slants cell.
Drunks stagger like cripple flies
On jailhouse floor.

4
To write a blues song
is to regiment riots
and pluck gems from graves.

5
A bare pecan tree
slips a pencil shadow down
a moonlit snow slope.

6
The falling snow flakes
Cannot blunt the hard aches nor
Match the steel stillness.

Hard Rock Returns to Prison from the Hospital for the Criminal Insane

Hard Rock / was / “known not to take no shit
From nobody,” and he had the scars to prove it:
Split purple lips, lumbed ears, welts above
His yellow eyes, and one long scar that cut
Across his temple and plowed through a thick
Canopy of kinky hair.

For Allen Ginsberg

Ginsberg, Ginsberg, burning bright,
Taunter of the ultra right,
What blink of the Buddha’ s eye
Chose the day for you to die?

Queer pied piper, howling wild,
Mantra-minded flower child,
Queen of Maytime, misrule’ s lord
Bawling, Drop out! All aboard!

Finger-cymbaled, chanting Om,
Foe of fascist, bane of bomb,
Proper poets’ thorn-in-side,
Turner of a whole time’ s tide,

In a Landscape: III

It appears that we’ re living (which isn’ t always the case), depending
on how one defines such things, in a “now you see it /
now you see it” kind of way. We can say we’ re working on our age,
as well, listening to Bob Dylan songs where people can age
in whatever direction supports the theme. “Too bad life doesn’ t
get themes,” Robin says, and yes, that’ s right, and then we can all go
do whatever it was we were going to do anyway. “It’ s either that,
or pay off the kidnapper,” as Neil Young had it, back in the mid-70s.

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