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You change a life
as eating an artichoke changes the taste
of whatever is eaten after.
Yet you are not an artichoke, not a piano or cat —
not objectively present at all —
and what of you a cat possesses is essential but narrow:
to know if the distance between two things can be leapt.
The piano, that good servant,
has none of you in her at all, she lends herself
to what asks; this has been my ambition as well.
Yet a person who has you is like an iron spigot
whose water comes from far-off mountain springs.

The three men now stood satisfied, arms crossed,
joking among themselves, but only moments before
they hadn’ t been laughing. It had taken all three
to bind the struggling man. First, to limit his movement,
they had duct-taped his wrists together behind his back:
for that, one man had held his legs and another had pinned him,
one hand on each shoulderblade and one knee on his head,
at his left temple, grinding his right cheek and eye into
the dust and straw and dried shit that formed the floor of the barn.

I’ m here, one fat cherry
blossom blooming like a clod,

one sad groat glazing, a needle puling thread,
so what, so sue me. These days what else to do but leer

at any boy with just the right hairline. Hey! I say,
That’ s one tasty piece of nature. Tart Darkling,

if I could I’ d gin, I’ d bargain, I’ d take a little troll
this moolit night, let you radish me awhile,

one comes to language from afar, the ear
fears for its sound-barriers —

but one “comes”; the language “comes” for
The Beckoning Fair One

plant you now, dig you
later, the plaint stirs winter
earth…

air in a hornet’ s nest
over the water makes a
solid, six-sided music…

a few utterly quiet scenes, things
are very far away — “form
is emptiness”

comely, comely, love trembles

and the sweet-shrub

John Gordon Boyd
died on the birthday
of three remarkable, and remarkably different, writers:
Heinrich Heine, Kenneth Patchen, Ross McDonald

John, too, was just as remarkable, blessed with an inherent “graciousness”
and with extraordinary eyes & ears…

I think of two texts
on the grievous occasion of his death:

“Religion does not help me.
The faith that others give to what is unseen,
I give to what I can touch, and look at.
My Gods dwell in temples
made with hands.”
— Oscar Wilde, in De Profundis

where the car hit him, fireweed sprang with
blazons of fennel

and umbels
of dill fell
through the spokes of a wheel

on Whistun holiday to the sun, Denton
Welch spun a web in his crushed cycle,

sat in the seat, spine curled up like a spider —

and spied: “saw
the very drops of sweat glittering frostily
between the shoulder blades”

of a lad

I. “If the Night Could Get Up & Walk”

I cannot put my hand into
a cabbage to turn
on the light, but

the moon moves over
the field of dark cabbage and an
exchange fills
all veins.

The cabbage is also a globe
of light, the two globes

defunct
list of
common
names
proxy
for the
bearer

nor’ wester
buffets gear
reach
into our
canisters

“Cassirer”
drawn and
sewn into
my lapels
assembly of
illegal men
peril will
not know

two
Roman
slaves rain
the rage
passes
through our
teeth into
interior
pneumatic
doors

my evening
of moniker
stamped
upon boxes
of envelopes

water
relives
reservoir

boat
bottom
draft
displaced

°

lineal
thought
backward
body

no one
knows
the brains
I am now

tree
an oar
origin

joints ruptured
soak in
deep ink

°

wallpaper
remnant
flower
float

chandelier

brief case
hundred words
logged

erode
my
Arabic

congestion
of resin

person

She wakes up in the afterlife in a fog. Unaware that she had an enemy, she was unprepared when the villain approached to deliver a fatal head injury. Part of her soul is stuck in her tomb, but as is common, it has a fake door where intercourse can occur, while another part of her soul begins a new adventure in form and in name. Always a reticent young woman, in premature death her speech-producing anatomy becomes irrepressible as she tries to render her circumstance comprehensible.