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That she was not pretty she knew.

The flowers delivered into her hands post-concert by the young girl, pretty, would be acknowledged only. To display was to invite comparison.

Skilled at withholding, she withheld; it was a kind of giving. As when meditation is a kind of action,

a way of leaning into music the way one leans into winter wind, the way a mule leans into a harness,

the way a lover leans into the point of deepest penetration.

After a ship’ s prow cuts the water, the water rushes back twice as hard.

Netflix the Green Man and any screen
becomes a vineyard. Episodes cluster
and climb, trellis narrative. Between
the corn and lichen, creepers muster

nine lives. They grow, divide, and splice,
steal scenes by running fox grape, bittersweet,
return on any handheld device
as moonseed, woodbine, dodder, buckwheat —

false buckwheat — note, though star- and heart-shaped.
He trucks some mascot for our kids, glad-hands
a sidekick dressed to burrow, root, and take
them through their lessons rattling dad’ s

7-Eleven’ s a misnomer, like “mind-
body” problem. They never close. The hyphen’ s

a dash of form. Sure, this mind-body’ s
a machine, if you want, plowing across town

to the steak house. American Spirit. Give us
the yellow pack. No matches? This dollar

fifty-nine Santa lighter, too. Big Grab bag
of Doritos. No, the “engine” is not

separate — it’ s part of the machine. Sure, paper’ s
good, container for recycling. Rain’ s no problem.

I eat the Doritos, smoke up — one for you?
The chips are part of my machine —

We enrolled at barbizon
Knowing full well
We’ d never look like
What was promised
Cue carol of the bells
Cue a demo on the casio
And the security of two-way
Escalators setting the speed
Those early mornings
In our mall school
The store’ s silver grills
Some mannequins left
Half-clothed
We’ d taunt them
With our imagined summers
In london paris rome
We weren’ t please and thank you
Walking with books on our heads
No we were going to devastate
Greek shipping heirs

One night, not long after the disaster,
as our train was passing Astor,
the car door opened with a shudder
and a girl came flying down the aisle,
hair that looked to be all feathers
and a half-moon smile
making open air of our small car.

The crowd ignored her or they muttered
“Hey, excuse me” as they passed her
when the train had paused at Rector.
The specter crowed “Excuse me,” swiftly
turned, and ran back up the corridor,
then stopped for me.
We dove under the river.

Welcome to your day of sanity! Come in and close the door it will likely lock behind you and you will be home alone waste disposal will take care of your needs : at long last undisturbed phenomena without the heavy metal background of the street will be yours for observation and response : do you have visions? do you think? Your mouth do you open it for more than medication?

You could hike over it, the you
without a problem, its mountain
viewed from the closet
coats are found in, your constant
Yes/No a hee-haw, a mule alert
that’ s pasture-perfect,

a coronary at the last corner.
Nobody’ s framing you for the chintz-
covered wall to cover the leak.
Besides, you like leaks, you’ re inside
the view as if hibernating
or crazy, you try not to erupt.

Hypothesize the rest,
the languor and freshet,
the crags, the serrated parade.

it befalls us. an exchanged glance, reflective spasm.

It’ s a little-known fact that God’ s headgear —
A magician’ s collapsible silk top hat,
When viewed from Earth, from the bottom up —
Is, sub specie aeternitatis,

A pluperfect halo, both circle and square,
And a premonition of this truth
Spurred on an ancient philosopher,
Anaxagoras, to make numerous vain

Attempts to approximate the circle
Of his concerns with the square of the cell
He was jailed in for impiety.
Doomed calculations which God acknowledged

All their fences
All their prisons
All their exercises
All their agendas
All their stanzas look alike
All their metaphors
All their bookstores
All their plantations
All their assassinations
All their stanzas look alike
All their rejection letters
All their letters to the editor
All their arts and letters