Unrequited Love

The Illiterate

Touching your goodness, I am like a man
Who turns a letter over in his hand
And you might think this was because the hand
Was unfamiliar but, truth is, the man
Has never had a letter from anyone;
And now he is both afraid of what it means
And ashamed because he has no other means
To find out what it says than to ask someone.

To His Lady

Beloved beauty who inspires
love in me from afar, your face obscured
except when your celestial image
stirs my heart in sleep, or in the fields
where light and nature's laughter shine more lovely —
was it maybe you who blessed
the innocent age called golden,
and do you now, blithe spirit,
fly among men? Or does that miser fate
who hides you from us save you for the future?

Balcony Scene

Up — or out? — here:
a problem of preposition,

my uneasy relation
with the world. Whether I’ m

above it or apart. On the other side
of the latched glass door, a man

loves me. Worries. Calls my name.

Where — for art — thou-
sands of windows go dark

in slow succession. On Essex
and Ludlow and Orchard.

A thousand times goodnight.

A boy throwing stones at a window.
Right window, wrong boy.

The Consolations of Sociobiology

Those scars rooted me. Stigmata stalagmite
I sat at a drive-in and watched the stars
Through a straw while the Coke in my lap went
Waterier and waterier. For days on end or

Nights no end I crawled on all fours or in
My case no fours to worship you: Amoeba Behemoth.
— Then you explained your DNA calls for
Meaner genes than mine and since you are merely

So to speak its external expression etcet
Ergo among your lovers I’ ll never be...
Ah that movie was so faraway the stars melting

from Deaf Republic: 15

Motionless forgetful music of women and men
touching each forehead, breathing a soul into each immeasurable other,
on earth where we are, stranger, through madness unattainable
or grace, in difficult traffic reaching for each immeasurable other:

no one on earth (O bitterness, O desire, — who commands the ships? —
or, who — ) touching the Lord’ s shoulder, and breathing a soul, has measured

this motionless forgetful music of women and men. Thus
I (behind the eye what sleeps?) must from the blind borrow this light.

Shy Boy

I wait for my shadow to forget me,
to take that one phantom step that I keep
from taking. I wait for the simple flash
of a dancer's spat upon this one moon
of stage-light, the mind's lonely oval
illuminated on the surface of some
windless pond or slew. And the old soft-shoe
practices to get it right, husha-husha-hush
in its constant audition of sawdust.
Even this choreography of useless
wishing is not enough to keep tonight
from becoming nothing more than some floor's
forgotten routine where faded, numbered

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