U.S.

Transcendence of Janus

I am not asleep, but I see
a limb, the fingers of death, the ghost
of an anonymous painter
leaving the prints of death
on the wall; the bright feathers
of soft birds blowing
away in the forest;
the bones of fish and
the white backs of strange women;
your breathing
like the slow thunder
on the other side of some river
as you sleep beside me; old
dancing teachers weeping in their offices;
toads with bellies as quiet
as girls asleep in mansions, dreaming
of saddles and pulling the sheets

Wanted

A white bull, a cassock, an antique mirror
The famous ones have passed hours in front of,
A midnight blue tuxedo, a fainting couch, a key
To a box of lewd photographs, a swastika,
Twelve bales of hay, three grave plots, a statue
Of Christ holding a heart pierced by a dagger,
A black patch, all kinds of utensils for the sick —
Including thirty-nine feet of catheter tubing,
A houseboat, a dog, a baby grand, an oar
Said to have been carved from a lovely river
And a woman’ s hat by Alfred Jarry, a mattress,

[“Man is so afraid...”]

Man is so afraid, he look down at cock, long ago many
centuries ships land on the enemy’ s beach, take down
mast in the dark, climb up cliffs in the fog, ram
enemy’ s door, do bad things in castle, oh yea, man
go crazy play in blood like baby with duck in bathtub,
man think about favorite dog, got worms in heart, takes
dog to field trial, dog sniffs out man’ s lies, point
at fool in frozen water, fool man, dead dog, man look
at leaf frozen in pond, man think about woman in new

Genius Loci

(Oakland)

Make it
the place
it was then,

so full it split
vision to live
there in winter

so late & wet
abundance
toppled toward

awful — birds
of paradise
a profusion

the ripe colors
of anodized
metal; in gutters

umbrellas
smashed
like pigeons,

bent ribs bright
among black
slack fluttering;

camellias’
pink imagoes
dropping

into water
& rotting,
sweet stink —

& did not
stop :
the inundated

No One Goes to Paris in August

A Montparnasse August
with view of the Cimetière. A yard of bones.

We wake to it. Close curtains to it.
Wake to its lanes. Rows of coffin-stones in varying light.

Walking here. Late with shade low, low, long.
We’ re passing through, just passing through
neat aisles of gray mausoleums.

(From Paris. Send this postcard. This one.
Calm water lilies. Water lilies.
Nothing colorless.)

It’ s morning. Baudelaire’ s tomb.
Tree limbs casting shadow west.

Sand Flesh and Sky

Our ropes are the roots
of our life. We fish
low in the earth,
the river beneath runs through our veins,
blue and cold in a riverbed.

When the sun comes up,
the moon moves slowly to the left.

I tie the logs and limbs together,
holding them in place.

The ocean beats them
smooth like rock.
Here my sense of time is flat.

I find in a strip of damp sand
footprints and marks of hands,
and torn pieces of flesh.

Night is a beast.
The tide moves, gushing
back and forth.

Better Late than Never

I was young once, at least, if not beautiful.
And what is beauty anyway? The light off snow
is pretty. I was young once, as young as any.
After all, she thought, to know the edge
of truth or of mountains, you need to lie or fall.

Everyone has an inner life, O careless love,
it's as simple as that. That's why they hurried
to marry before the month ended — fear of June.
She would avert her eyes from the magazines'
special issues with brides on their creamy covers.

Chivalric

Heraldry and all its lovely language;
I chose my time there learning
elsewhere, where else than land,
Landscape, and how to live, in it
is not like, nothing is like, the colors
or the snow, it is not like pearl and
it is not like the glitter of rainwater
that darkens the bark against which
the occasional bloom-laden branch
might be seen shedding petals. No.
Here is the past: One was once a boy
and read books and could not pronounce

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