U.S.

Sunday in the Panopticon

I was sitting in Old Town Square
with tourists and birds and I was reading
Foucault, how “he who is subjected
to a field of visibility... becomes
the principle of his own subjection”
and all around me the beautiful
Czechoslovakian boys moved through the first
day of spring like perennially
visible inmates in the opening credits
of a prison porno. The sun reflected off
the glass and my table was an inscrutable
tower of light from which I peered, invisibly,
at the swan-graceful boys who seemed to skirr

The Clock in Literature

“Would you mind
If I headed up early?”
Says the husband
To his young wife.
“Follow when you like.”

Later that evening
The beautiful face
And exquisite limbs
Will rise from the table
Of the Southern inn
Having been spied
By the antihero
Across the room
Reading an indifferent book.

Oh, quick —
Let a storm kill the light!

But you might as well say it
To a wall.
We can’ t change
A single
Silver setting, or
Even by one day
Reduce
The bright full moon.

Diameter

You love your friend, so you fly across the country to see her.

Your friend is grieving. When you look at her, you see that something’ s missing.

You look again. She seems all there: reading glasses, sarcasm, leather pumps.

What did you expect? Ruins? Demeter without arms in the British Museum?

Your friend says she believes there’ s more pain than beauty in the world.

When Persephone was taken, Demeter damned the world for half the year.

The other half remained warm and bountiful; the Greeks loved symmetry.

Intensity as Violist

That she was not pretty she knew.

The flowers delivered into her hands post-concert by the young girl, pretty, would be acknowledged only. To display was to invite comparison.

Skilled at withholding, she withheld; it was a kind of giving. As when meditation is a kind of action,

a way of leaning into music the way one leans into winter wind, the way a mule leans into a harness,

the way a lover leans into the point of deepest penetration.

After a ship’ s prow cuts the water, the water rushes back twice as hard.

Netflix Green Man

Netflix the Green Man and any screen
becomes a vineyard. Episodes cluster
and climb, trellis narrative. Between
the corn and lichen, creepers muster

nine lives. They grow, divide, and splice,
steal scenes by running fox grape, bittersweet,
return on any handheld device
as moonseed, woodbine, dodder, buckwheat —

false buckwheat — note, though star- and heart-shaped.
He trucks some mascot for our kids, glad-hands
a sidekick dressed to burrow, root, and take
them through their lessons rattling dad’ s

Convenience Store Aquinas

7-Eleven’ s a misnomer, like “mind-
body” problem. They never close. The hyphen’ s

a dash of form. Sure, this mind-body’ s
a machine, if you want, plowing across town

to the steak house. American Spirit. Give us
the yellow pack. No matches? This dollar

fifty-nine Santa lighter, too. Big Grab bag
of Doritos. No, the “engine” is not

separate — it’ s part of the machine. Sure, paper’ s
good, container for recycling. Rain’ s no problem.

I eat the Doritos, smoke up — one for you?
The chips are part of my machine —

Somewhere Thuban Is Fading

We enrolled at barbizon
Knowing full well
We’ d never look like
What was promised
Cue carol of the bells
Cue a demo on the casio
And the security of two-way
Escalators setting the speed
Those early mornings
In our mall school
The store’ s silver grills
Some mannequins left
Half-clothed
We’ d taunt them
With our imagined summers
In london paris rome
We weren’ t please and thank you
Walking with books on our heads
No we were going to devastate
Greek shipping heirs

from d e l e t e, Part 12

Welcome to your day of sanity! Come in and close the door it will likely lock behind you and you will be home alone waste disposal will take care of your needs : at long last undisturbed phenomena without the heavy metal background of the street will be yours for observation and response : do you have visions? do you think? Your mouth do you open it for more than medication?

Good Friday

Jesus, I want my sins back.
My prattle, pride, and private prices —
climbing, clinching, clocking —

I might loan you a few for the evening,
so you don’ t show up at your own crucifixion
naked of all purpose.

But for God’ s sake, don’ t spill any
redemption on them! They’ re my
signature looks. Body by Envy.

Make up & wardrobe provided by Avarice. Lord,
if you take away my inordinate cravings,
what the hell’ s left? Do you know

from Don't Let Me Be Lonely: “I don't usually talk to strangers...”

I don't usually talk to strangers, but it is four o'clock and I can't get a cab. I need a cab because I have packages, but it's four o'clock and all the cabs are off duty. They are making a shift change. At the bus stop I say, It's hard to get a cab now. The woman standing next to me glances over without turning her head. She faces the street where cab after cab drives by with its light off. She says, as if to anyone, It's hard to live now. I don't respond. Hers is an Operation Iraqi Freedom answer.

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