Oh there once was a woman
and she kept a shop
selling trinkets to tourists
not far from a dock
who came to see what life could be
far back on the island.
And it was always a party there
always different but very nice
New friends to give you advice
or fall in love with you which is nice
and each grew so perfectly from the other
it was a marvel of poetry
and irony
How little we know,
and when we know it!
It was prettily said that “No man
hath an abundance of cows on the plain, nor shards
in his cupboard.” Wait! I think I know who said that! It was...
He says he doesn’ t feel like working today.
It’ s just as well. Here in the shade
Behind the house, protected from street noises,
One can go over all kinds of old feeling,
Throw some away, keep others.
The wordplay
Between us gets very intense when there are
Fewer feelings around to confuse things.
Another go-round? No, but the last things
Cervantes was asleep when he wrote Don Quixote.
Joyce slept during the Wandering Rocks section of Ulysses.
Homer nodded and occasionally slept during the greater part of the Iliad; he was awake however when he wrote the Odyssey.
Proust snored his way through The Captive, as have legions of his readers after him.
Melville was asleep at the wheel for much of Moby-Dick.
Fitzgerald slept through Tender Is the Night, which is perhaps not so surprising,
These lacustrine cities grew out of loathing
Into something forgetful, although angry with history.
They are the product of an idea: that man is horrible, for instance,
Though this is only one example.
They emerged until a tower
Controlled the sky, and with artifice dipped back
Into the past for swans and tapering branches,
Burning, until all that hate was transformed into useless love.
He tells me in Bangkok he’ s robbed
Because he’ s white; in London because he’ s black;
In Barcelona, Jew; in Paris, Arab:
Everywhere and at all times, and he fights back.
He holds up seven thick little fingers
To show me he’ s rated seventh in the world,
And there’ s no passion in his voice, no anger
In the flat brown eyes flecked with blood.
The little girl won’ t eat her sandwich;
she lifts the bun and looks in, but the grey beef
coated with relish is always there.
Her mother says, “Do it for mother.”
Milk and relish and a hard bun that comes off
like a hat — a kid’ s life is a cinch.
Brooklyn, 1929. Of course Crane’ s
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
The young man who brought them
together knows both Spanish and English,
but he has a headache from jumping
back and forth from one language
to another. For a moment’ s relief
he goes to the window to look
down on the East River, darkening
below as the early night comes on.
Something flashes across his sight,
a double vision of such horror
My brother comes home from work
and climbs the stairs to our room.
I can hear the bed groan and his shoes drop
one by one. You can have it, he says.
The moonlight streams in the window
and his unshaven face is whitened
like the face of the moon. He will sleep
long after noon and waken to find me gone.
I just had the old Dodge in the shop
with that same damned front-end problem,
and I was out, so to speak, for a test run,
loafing along, maybe 35 m. p. h.,
down the old Corvallis road,
holding her out of the ruts and potholes.
That’ s out in Montana, the Bitterroot Valley.
Long ways from home is how they say it.
Long ways from home, boys, long long ways from home.
