Spencer Reece

A G M T

At Thomas Merton’s Grave

We can never be with loss too long.
Behind the warped door that sticks,
the wood thrush calls to the monks,
pausing upon the stone crucifix,
singing: “I am marvelous alone!”
Thrash, thrash goes the hayfield:
rows of marrow and bone undone.
The horizon’ s flashing fastens tight,
sealing the blue hills with vermilion.
Moss dyes a squirrel’ s skull green.
The cemetery expands its borders —
little milky crosses grow like teeth.
How kind time is, altering space
so nothing stays wrong; and light,

Monaco

Monaco was clean, with small clean streets.
There was not much in the way of  a shore.
There was hardly any place to go.
One clipped, well-behaved London plane tree,
not welcoming like most ordinary trees,
was kept apart by a white spear-tipped fence,
and had a somewhat diffident sense of  noblesse oblige.
Through the cream silk brocade window treatments,
you could see it; it did not contain birds,
repelled the idea of  nests, its roots
trained and snipped. At night, it was lit.

The Prodigal Son

In Miami, this May afternoon, I look up,
the sky hot, so hot, always, and heating up hotter —
how long I have loved this scene.
The clouds are white optimistic churches;
I cannot number them.
Herons, pelicans, and gulls glide like dreams
through cloud-portals, cloud-porticos, and cloud-porte-cochères
Giotto could have done with his passion for blues and dimensions.
Hard not to love a place always called by possibility.
Nearby, Cuba is singing and somewhere here
Richard Blanco is writing his poems.
As I enter the city,