Secret Life

Alone with time, he waits for his parents to wake,
a boy growing old at the dining room table,

pressing into the pages of one of his father's big books
the flowers he picked all morning

in his mother's garden, magnolia, hibiscus,
azalea, peony, pear, tulip, iris;

reading in another book their names he knows,
and then the names from their secret lives;

lives alchemical, nautical, genital;
names unpronounceable fascicles of italic script;

secrets botanical
description could never trace:

Who Burns for the Perfection of Paper

At sixteen, I worked after high school hours
at a printing plant
that manufactured legal pads:
Yellow paper
stacked seven feet high
and leaning
as I slipped cardboard
between the pages,
then brushed red glue
up and down the stack.
No gloves: fingertips required
for the perfection of paper,
smoothing the exact rectangle.
Sluggish by 9 PM, the hands
would slide along suddenly sharp paper,
and gather slits thinner than the crevices
of the skin, hidden.
Then the glue would sting,

Breakfast

A dinner party, coffee, tea,
Sandwich, or supper, all may be
In their way pleasant. But to me
Not one of these deserves the praise
That welcomer of new-born days,
A breakfast, merits; ever giving
Cheerful notice we are living
Another day refreshed by sleep,
When its festival we keep.
Now although I would not slight
Those kindly words we use ‘Good night’,
Yet parting words are words of sorrow,
And may not vie with sweet ‘Good Morrow’,
With which again our friends we greet,

Sick to death of the hardpan shoulder,

the froth of noise
the undersides of the cedars make,

the windblown dark that hints
and fails for hours at effacement —
maybe I could claim it isn’ t

praying, but it’ s asking,
at the least, begging
that these lungfuls of this blackness

eat whatever keeps on swelling
and collapsing in my chest, and be done
with it, no more noise

left hanging in the spaces
between brake lights than a smothered rush
that sounds like suffering

Four Birds

“Wake to the sun,” the rooster croaked,
First bird of the day. The world, light-flecked,
Chiselled its lineaments into form.
Where was all that fine light coming from?

“Trance at the wonder,” the second sang.
Whose five dry notes urged the ongoing
Afternoon on. “Why wake and stir?”
It asked. And asked. There was no answer.

“Live through the muddle.” That from the next one.
Not very helpful. It looked like rain,
Or fog in the offing. Twilight. Then
It sang again from an oak or pine.

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