The Song of the Happy Shepherd

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? — By the Rood
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,

To the Rose upon the Rood of Time

Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, grey, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
And thine own sadness, whereof stars, grown old
In dancing silver-sandalled on the sea,
Sing in their high and lonely melody.

Under Ben Bulben

I

Swear by what the Sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.

Swear by those horsemen, by those women,
Complexion and form prove superhuman,
That pale, long visaged company
That airs an immortality
Completeness of their passions won;
Now they ride the wintry dawn
Where Ben Bulben sets the scene.

Body Builder

I can no longer blush. Half-face towards the starchy scape.
Birds limn the spindle trees, their Listerine-hued eyes dart
as they trill mechanical dirges tabulating not again, not
again / I can no longer blush. The flat arctic sky
boundlessly jogs to another hemisphere / She grows!
Or her pectoral grows or all her pectorals grow / A drop of body
oil the size of a water balloon splooshes down on a man as a graceless
anointing, atomizing into tears / How delicate the sounds are from

Hottentot Venus

Overheard in the heat, the air, the fruit fly’ s drone
of the perfect helix, overheard in science’ s repartee

of right and wrong, in the gossip of perfumed women
basking in London’ s charmless sun,

Overheard in the gasps of penny sideshows, the formulas
of doctors summing up freaks in taxidermic clinics,

Overheard in the echo of cubic hallways,
in the speculum’ s wand first tested on the slave woman,

Overheard in history’ s senile tympanum

was a Song.

Three Poems after Yannis Ritsos

REVERSALS

There are graves under the houses and houses
under the graves and linking the three

a broad stone staircase where the dead
go up and the living go down. They pass one another

wordlessly which might mean they don’ t know, or else
they’ re pretending not to know. You can smell

the orange grove on the hill; you can hear
children bowling barrel hoops down the street.

Two women gossip as they fill their jug at the spring.
Their secrets cloud the water.

Three Poems from “A Manual for Living”

APPROACH LIFE AS IF IT WERE A BANQUET

Your rightful portion averts your ireful potion:
Caress what can’ t be blessed, cup shadows under breasts.

Let pass what’ s out of   ken: lover, job, riches,
a ripe peach
until it reaches you.

Bring salt for your honey, lime for your grenadine.
Money’ s not your fault.

You’ re a feathered peahen
preening for marzipan men.

Beirut Tank

Staring up into the tank's belly lit
by a bare bulb hanging down off
the exhaust, a mechanic's hands are up
inside the dark metallic innards doing something
that looks personal, private. This tank is nothing
like the ones the Americans deploy.
Those have uranium piercing shells that could melt
right through this tank's armor and set off
the ammo box: nothing can withstand the American tanks.

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