We gaze into your eyes, eyes, eyes, eyes.
We forget the display is blind.
Your fanned tail really a cupped palm,
gathering each hen’ s quiver to your ear,
your feathers the green-blue glamours of
reflective absence. No one
ever praises the ass of the peacock,
grin of quills that does the heavy lifting,
or how you eat anything from ants
to Styrofoam, from cheese to chicken.
Road roamer, flower devourer:
the one who’ ll pick a fight with a goat.
Like the stamen inside a flower
The steeple stands in lovely blue
And the day unfolds around its needle;
The flock of swallows that circles the steeple
Flies there each day through the same blue air
That carries their cries from me to you;
I have seen the arrested
shrub inform the crag with grief.
Lichens crust the rocks with red.
Thorns punctuate the leaf.
Sorrow is not a desert
where one endures the other —
but footing lost and halting
step. And then another.
Out of a high meadow where flowers
bloom above cloud, come down;
pursue me with reasons for smiling without malice.
Bring mimic pride like that of the seedling fir,
surprise in the perfect leg-stems
and queries unstirred by recognition or fear
pooled in the deep eyes.
Plankton rise toward the full moon
spread thin on Wakaya’ s surface.
Manta rays’ great curls of jaw
scoop backward somersaults of ocean
in through painted caves of their mouths, out
through sliced gills. Red sea fans
pulse. The leopard shark
lounges on a smooth ramp of sand,
skin jeweled with small hangers-on.
Pyramid fish point the way to the surface.
How do you explain why elephants
appear to move their unwieldy hulks
with greater dignity than most humans do
in their finest moments,
as if they had evolved beyond wanting
anything but what they have?
Why does the field begin to ripple
before the wind arrives in whispers,
as if there were a communication,
as if the landscape were poorly dubbed,
and we weren’ t expected to notice?
What butterfly does not dart away from us
as if it could sense our latent cruelties,
and yet return to check and double-check?
I tracked it through the one mind of the woods.
Its hoofprints pressed in snow were smallish hearts.
Buck fawn: he let me come so near, take aim.
Crouched against a fir, I was anything.
Bush, stump, doe in estrus he could rut.
Not his maimer, though, not his final thought.
He stared me down until I shot him: low.
Then the forest forgot he’ d ever been.
Nascent, there were signs: bonechip, spoor, frail hair.
But no memory, wounded, wants to die.
He hid in the dark timber, twice crossed the creek.
The damselfly folds its wings
over its body when at rest. Captured,
it should not be killed
in cyanide, but allowed to die
slowly: then the colors,
especially the reds and blues,
will last. In the hand
it crushes easily into a rosy
slime. Its powers of flight
are weak. The trout
The dogs eat hoof slivers and lie under the porch.
A strand of human hair hangs strangely from a fruit tree
like a cry in the throat. The sky is clay for the child who is past
being tired, who wanders in waist-deep
grasses. Gnats rise in a vapor,
in a long mounting whine around her forehead and ears.
The sun is an indistinct moon. Frail sticks
of grass poke her ankles,
and a wet froth of spiders touches her legs
like wet fingers. The musk and smell
of air are as hot as the savory
terrible exhales from a tired horse.
Into the changes of autumn brush
the doe walked, and the hide, head, and ears
were the tinsel browns. They made her.
I could not see her. She reappeared, stuffed with apples,
and I shot her. Into the pines she ran,
and I ran after. I might have lost her,
seeing no sign of blood or scuffle,
but felt myself part of the woods,
a woman with a doe’ s ears, and heard her
dying, counted her last breaths like a song
of dying, and found her dying.
I shot her again because her lungs rattled like castanets,
