In her hand the knife, brisk, brilliant as moon-claw,
shaves the flesh. It grazes the white
belly just over the heart.
Underneath, the coiled fingers
are cradling a soft flesh
as if it were the jowls of the aged
man propped for a while on the bench in the park.
The head is not severed, the eyes not out.
Blue, they appear to flash odd ways
where a tree makes a live shadow.
Mostly the eyes are dead.
Nothing is in them
The hummingbird hovers over bougainvillea, darting in and out
of blossoms as the bride throws
her corset among laughter and waving hands. Seeing you, glass in hand, sunlight
piercing the punch bowl’ s crystal, I remember
the horse, an Appaloosa, the white and gray markings
like clouds, cumulus, one
"They won't attack us here in the Indian graveyard."
I love that moment. And I love the moment
when I climb into your warm you-smelling
bed-dent after you've risen. And sunflowers,
once a whole field and I almost crashed,
the next year all pumpkins! Crop rotation,
I love you. Dividing words between syl-
lables! Dachshunds! What am I but the inter-
section of these loves? I spend 35 dollars on a CD
of some guy with 15 different guitars in his shack
with lots of tape delays and loops, a good buy!
What seemed a mystery was
in fact a choice. Insert bird for sorrow.
What seemed a memory was in fact
a dividing line. Insert bird for wind.
Insert wind for departure when everyone is
standing still. Insert three mountains
burning and in three valleys a signal seer
seeing a distant light and a signal bearer
sprinting to a far-off bell. What seemed
a promise was in fact a sigh.
Look, above the creek, hummingbirds in the trumpet vine.
Not too close, wait. See the green blurs
stitching the leaves?
Here at the edge of the millennium
I don’ t imagine
you’ d call them anything as archaic as angels.
Twice through my bedroom window
I’ ve seen the horned owl drop from the oaks to panic
the rabbit in my neighbor’ s backyard.
Last night he paced for an hour across the top
of the cage, scrutinizing
the can of water, the mound of pellets,
turning his genius to the riddle
of the wire, while under him
the rabbit balled like a fat carnation in the wind.
We have all seen them circling pastures,
have looked up from the mouth of a barn, a pine clearing,
the fences of our own backyards, and have stood
amazed by the one slow wing beat, the endless dihedral drift.
But I had never seen so many so close, hundreds,
every limb of the dead oak feathered black,
Some say it’ s in the reptilian dance
of the purple-tongued sand goanna,
for there the magnificent translation
of tenacity into bone and grace occurs.
And some declare it to be an expansive
desert — solid rust-orange rock
like dusk captured on earth in stone —
simply for the perfect contrast it provides
to the blue-grey ridge of rain
in the distant hills.
That whine is the sound
of waste, rot, the frantic,
grinding inability to attend
to anything but sere thwarting
of yourself, a dry corrosion
which some say they know,
but you and I —
(my jaw clenched as you
turn a page,
you with a heart like drywall,
I who would
lace my arms with razors,
then press them
slowly to your lips,
the metal taste
mixing with flesh,
and through gritted teeth
I making the sound
of you, you, you
do not know, meaning
only me, me)
The sneck's aye sweirt and ayont
a doverin cratur wi a lit o the lowe
they ken ilka gadge on the bowe
bi the soond o thir foot-fa
glisk the skyrie lamp
hingin on the smittie ceilin
a spreckelt green plaunt is deein
a wandert bairn greets
aneath thon laich an gowstie lift
at lang an last the onfa.
