The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.
Like the leaves of the forest when Summer is green,
That host with their banners at sunset were seen:
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay withered and strown.
A sentence with “dappled shadow” in it.
Something not sayable
spurting from the morning silence,
secret as a thrush.
The other man, the officer, who brought onions
and wine and sacks of flour,
the major with the swollen knee,
wanted intelligent conversation afterward.
Having no choice, she provided that, too.
Potsdamerplatz, May 1945.
Twice or thrice had I lov'd thee,
Before I knew thy face or name;
So in a voice, so in a shapeless flame
Angels affect us oft, and worshipp'd be;
Still when, to where thou wert, I came,
Some lovely glorious nothing I did see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is
Love must not be, but take a body too;
Batter my heart, three-person'd God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o'erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurp'd town to another due,
Labor to admit you, but oh, to no end;
Reason, your viceroy in me, me should defend,
But is captiv'd, and proves weak or untrue.
Yet dearly I love you, and would be lov'd fain,
But am betroth'd unto your enemy;
Divorce me, untie or break that knot again,
This youth too long has heard the break
Of waters in a land of change.
He goes to see what suns can make
From soil more indurate and strange.
He cuts what holds his days together
And shuts him in, as lock on lock:
The arrowed vane announcing weather,
The tripping racket of a clock;
Seeking, I think, a light that waits
Still as a lamp upon a shelf, —
A land with hills like rocky gates
Where no sea leaps upon itself.
Sweet day, so cool, so calm, so bright,
The bridal of the earth and sky;
The dew shall weep thy fall to-night,
For thou must die.
Sweet rose, whose hue angry and brave
Bids the rash gazer wipe his eye;
Thy root is ever in its grave,
And thou must die.
Sweet spring, full of sweet days and roses,
A box where sweets compacted lie;
My music shows ye have your closes,
And all must die.
How blest the land that counts among
Her sons so many good and wise,
To execute great feats of tongue
When troubles rise.
Behold them mounting every stump,
By speech our liberty to guard.
Observe their courage — see them jump,
And come down hard!
Put an ear to the light at fall
of dark and you will hear
nothing. This pale luminescence
that drifts in upon them
makes a blue bole of their caves,
a scare of their scything
tails. They tell
in the bubbling dark of images
that come in upon them
when light spreads like an oil slick
and sea fans
that once were their refuge
turn away.
Now there is no dark
dark enough for their silver tails,
scatter of color
(like coins massively
piling in the lap of a miser)
You change a life
as eating an artichoke changes the taste
of whatever is eaten after.
Yet you are not an artichoke, not a piano or cat —
not objectively present at all —
and what of you a cat possesses is essential but narrow:
to know if the distance between two things can be leapt.
The piano, that good servant,
has none of you in her at all, she lends herself
to what asks; this has been my ambition as well.
Yet a person who has you is like an iron spigot
whose water comes from far-off mountain springs.
There is this tea
I have sometimes,
Pan Long Ying Hao,
so tightly curled
it looks like tiny roots
gnarled, a greenish-gray.
When it steeps, it opens
the way you woke this morning,
stretching, your hands behind
your head, back arched,
toes pointing, a smile steeped
in ceremony, a celebration,
the reaching of your arms.
