Before you can learn the trees, you have to learn
The language of the trees. That’ s done indoors,
Out of a book, which now you think of it
Is one of the transformations of a tree.
The words themselves are a delight to learn,
You might be in a foreign land of terms
Like samara, capsule, drupe, legume and pome,
Where bark is papery, plated, warty or smooth.
IX
Amidst the rush and roar of life, O beauty, carved in stone, you stand mute and still, alone and aloof.
Great Time sits enamoured at your feet and repeats to you:
“Speak, speak to me, my love; speak, my mute bride!”
But your speech is shut up in stone, O you immovably fair!
VII
Sing the song of the moment in careless carols, in the transient light of the day;
Sing of the fleeting smiles that vanish and never look back;
Sing of the flowers that bloom and fade without regret.
Weave not in memory’ s thread the days that would glide into nights.
To the guests that must go bid God-speed, and wipe away all traces of their steps.
Let the moments end in moments with their cargo of fugitive songs.
I’ ve trod the links with many a man,
And played him club for club;
’ Tis scarce a year since I began
And I am still a dub.
But this I’ ve noticed as we strayed
Along the bunkered way,
No one with me has ever played
As he did yesterday.
Poetry rejoices even if the culture dies,
over the girl with her first electric, how her high,
thin voice, amplified many times
over by the loudspeaker, is like a giant's
in the green grass of the festival site.
Over the fragile bells of digitalis, how they hide
the pistil and the pollen inside.
Rejoices over rain on the Faroe Islands,
over rendezvous on the Champs-Elysées at evening.
It rejoices over Japan, over Korea,
over arts refined over a thousand years —
the art of swordsmanship, or of drinking tea.
As he looked up from his glass, its quickly melting ice,
into the bisected glowing demonic eyes of the goat,
he sensed that something fundamental had shifted,
or was done. As if, after a life of enchantment, he
had awakened, like Bottom, wearing the ears of an ass,
and the only light was a lanthorn, an ersatz moon.
It was not that the calendar hadn’ t numbered the days
with an orbital accuracy, its calculations
exact, but like a man who wants to hang a hammock
A pedal-pusher said to me
No braykaiser
No sterfput
A-stepping and a-stoumping cretin-wise
Could drive a man to madness
Just as no thousand Orphas all draped in damp peignoirs
Doing their great kochera
With the prima donna
Of Iquzegdamoda
Geof Huth
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For an hour I forgot my fat self,
my neurotic innards, my addiction to alignment.
For an hour I forgot my fear of rain.
For an hour I was a salamander
shimmying through the kelp in search of shore,
and under his fingers the notes slid loose
from my belly in a long jellyrope of eggs
that took root in the mud. And what
would hatch, I did not know —
a lie. A waltz. An apostle of glass.
For an hour I stood on two legs
and ran. For an hour I panted and galloped.
The fire was so fierce,
So red, so gray, so yellow
That, along with the land,
It burned part of the sky
Which stayed black in that corner
For years,
As if it were night there
Even in the daytime,
A piece of the sky burnt
And which then
Could not be counted on
Even by the birds.
